I’m delighted to share that my Flower vessel, (Corset series) w. Leaves received the Director’s Award in this year’s Fifth Annual Beyond the Brickyard exhibition at the Archie Bray foundation juried by Andrea Gill. This wonderful exhibition opens both ONLINE and in Helena, MT this Saturday, February 2 – April 6. The exhibition will go live Saturday night 2/2 at 6 PM MST right here. I’m so appreciative of this double honor. Thank you, Andrea Gill and Bray Director Steven Lee!
I enjoyed putting together this second annual, end of the year group of images from my studio of in progress and new work. These are just a selection of images I posted throughout the year on my Facebook page. As with last year’s, it’s not an order, it’s a cycle. I just completed two glaze firings, so more to come —immediately!— for 2013 here and in my online stores. Keepin’ on, keepin’ on!
Thank you very much for your continued support of my work and studio.
A happy, healthy New Year to you and yours!
Dots on my pots!
My recent work with dots: Screen vase pair, yunomis, flower vessel (Corset series), pitcher, small covered jars, small stamped bowls, and plate.
I started layering dots (and stripes, which will be a future blog post with more influences and faves) in early 2010. The added pattern came through self-critique and seeing a need to both visually pop the raised slip-trail patterns by providing small background color, as well as add some modern fun to the Victorian flavor of my work.
So the primary purpose for the polka dots was to further my love of layered surfaces for the pots, formally creating even more richness and depth. The dots punctuate the patterns.
A close secondary function for the dots has been to add some joyfulness; polka dots are rarely somber. Though I do receive some comments by folks who favorably see ‘Disney,’ I think my pots can appear more serious than I actually am or intend. In some ways, I’m still the five-year-old tomboy who hated my freckles (my own personal polka dots), deciding one summer day that, with the aid of my grape-smelling marker, they would be much better purple. So, the dots are a way to include my influences of sweets, for example, as well as infuse connotations of informality and playfulness.
You can check out all the dotty pots in my online shop here.
Polka dot influences below with more here:
.Pictured above from top right, first row: Peter Murdoch ‘Dot chair’ for kids; Dot window building in Beirut, Lebanon; and ‘Confetti’ tree skirt. Second row: Draga Mathilde sofa; and Yayoi Kusama concept store for Louis Vuitton. Third row: June Leaf organic canvas in Marine; Mod fashion; and vintage dress. Fourth row: White-grey ombre dot cake; paper straws; and slipper chair. Fifth row: Norma Kamali dress; Tattoo round rug by Deanna Comellini; and ‘Op-art Attracts’ wedge by ModCloth. Last row: Quilt in progress by Judy Martin and starfish.
The origin of the Polka Dot: It is believed that the name “polka dot” came from the Polish polka dance, and first appeared by name in 1854 in The Yale literary magazine. At the same time that the polka dance and music began in the mid 19th century, polka dots were popular and common on clothing. The pattern name was chosen simply because the dance gained such acclaim, which led to many contemporary products and fashions also taking the name. (There used to be “polka-hats” and “polka-jackets,” for example.) Most disappeared with the popularity of the actual polka dance in the late 1800s. Only the printed fabric pattern remained fashionable, and the name stuck.
Polka dot favorites of fellow studio potters and ceramic artists:
Pictured above from top right, first row: Andrew Martin, Brenda Quinn, and Malene Helbak. Second row: Kari Radasch and Jun Kaneko. Third row: Chiho Aono, Hans Tan Studio, and Ayumi Horie. Fourth row: Harrison McIntosh, Meredith Host, and Harumi Nakashima. Last row: Tetsuo Hirakawa, Betty Woodman, and Sean O’Connell.
I’m so pleased to share that this new piece, Flower vessel (Corset series) w. Leaves, was juried into the Archie Bray Foundation’s Fifth Annual Beyond the Brickyard Exhibition by professor and artist Andrea Gill. There was stiff competition with 40 pieces selected from 146 artists’ over 400 submissions. I’m doubly thrilled to be accepted, and by a maker extraordinaire of which I am such a fan. The exhibition will be online (and in-person for locals of Helena, MT) February 2nd – April 6th, 2013 here.
I’m delighted to have two pieces included in this outstanding compendium of contemporary ceramics culled from the last ten years of Lark Book’s 500 Series. The curators for The Best of 500 Ceramics were asked to select a specific number of works from all the previous 500 Series books and write a very limited amount of text about a half dozen of them. Lark then selected from among that offering of images and comments. It was a fun surprise to read Linda Ganstrom’s great observations below when my complimentary copy of the book arrived, and a great honor to have two pieces chosen for this volume. Thank you, Curators!
About the book: “This definitive collection features a decade’s worth of memorable ceramic pieces selected from the prestigious and bestselling 500 series. Juried by a roster of acclaimed artists, including such talents as Cynthia Consentino, Beth Cavener Stichter, Richard Notkin, and Sergei Isupov, each piece captures the power of ceramics at the start of a new century. Ceramicists and art enthusiasts alike will treasure the wealth of knowledge offered in this lavishly illustrated keepsake volume as the experts describe what makes a particular vase, teapot, sculpture, or bowl stand out. “
A pictorial collection of what I’ve been working on so far in 2012: revisiting the past, expanding the familiar, and exploring the new. Most of the pieces featured here are available for purchase in my online Shop or Gallery. Click the image to follow the link and read more about each. You can also see where more of my work will be out, about, and online in shows coming up on my Schedule page here.