Studio Cycles Pictorial 2014

Kristen Kieffer tumbler and wild daisies  Demonstrating with Chandra DeBuse (l) and Kristen Kieffer (r) at St. Pete's ClayKristen Kieffer Indigo plate details  Kristen Kieffer new stamps, florals and beesHannah  Kristen Kieffer teapots in progressKristen Kieffer Stamped vases  Taping the Tales of a Red Clay Rambler podcast w. Michael Kline (l), Julia Galloway (m), and Kristen Kieffer (r)Kristen Kieffer bisqueware in progress  Kristen Kieffer chop signatures, cup mandalaDemonstrating with Kathy King (l) and Kristen Kieffer at Southern IL U., Carbondale  Poster girl, The State of Clay exhibition, MA, Kristen Kieffer Grande jarKristen Kieffer sketchbook  Kristen Kieffer glaze testingWorkshop tools  Vases and Visiting Artist month at The Archie Bray FoundationKristen Kieffer wall pillows in progress, May at the Bray  Kristen Kieffer studio influencesKristen Kieffer Screen Vase detail  Demonstrating with Matt Long (l), Adam Field (m), and Kristen Kieffer at the Mary Anderson Center, INKristen Kieffer's pots as contour drawings, studio  Kristen Kieffer flower brick stages in progressKristen Kieffer test tiles  Kristen Kieffer Cherry cup detailKristen Kieffer sketchbook drawings  Kristen Kieffer Arabesque mod tumblers in progressKristen Kieffer Arabesque mod plates in progress  Kristen Kieffer

This is my fourth, year-end roundup of goings-on images from my studio and on the road as a workshop presenter, and this year, Visiting Artist. It’s fun for me to look back on the collection of images I’ve shared, and reflect on what’s continued from past years and what was new in 2014 for me as maker. These are just a selection of favorites I posted throughout the year on my Facebook and Instagram. As with past years, it’s not an order, it’s a cycle.

As always, thank you for your continued support of my work and studio.
A happy, healthy New Year to you and yours!

Galloway, Kline, & Kieffer on Tales of a Red Clay Rambler

Julia Galloway, Michael Kline, and Kristen Kieffer on Ben Carter's Tales of a Red Clay Rambler
pFellow potter Ben Carter has a wonderful podcast, Tales of the Red Clay Rambler featuring studio potters and “culture makers” from around the world, that I love and listen to regularly. This past February, while we were all together for the Florida Heat Surface workshop symposium, he invited studio potters Julia Galloway, Michael Kline, and me to sit down and discuss for the podcast some of the individual and group conversations we had been having about pottery trends, design, copying, imagery, and how social media impacts all of those as well as our studio lives.

I admit it’s hard to talk with a microphone so close to your mouth you could lick it and knowing your words are being recorded to be replayed by hundreds, but it was neat to listen back because that was such a fun week together.  This conversation could have gone on for hours, there’s so much more to say and add.  Thank you to Ben for being such a great host with tough questions, and Michael and Julia for the fast-paced and smart exchange.

Have a listen right here to episode #61, and enjoy!

Studio Cycles Pictorial 2013

      
   
      
          

It’s enjoyable to put together this annual, year end pictorial of images from my studio of in-progress and new work, as well as artist goings-on, and reflect back on both 2013’s newness and continuations. These are just a selection of images I posted throughout the year on my Facebook page and now Instagram too. As with last year’s, it’s not an order, it’s a cycle.

As always, thank you for your continued support of my work and studio.
A happy, healthy New Year to you and yours!

Studio Cycles Pictorial 2012

                  

I enjoyed putting together this second annual, end of the year group of images from my studio of in progress and new work. These are just a selection of images I posted throughout the year on my Facebook page. As with last year’s, it’s not an order, it’s a cycle. I just completed two glaze firings, so more to come —immediately!— for 2013 here and in my online stores. Keepin’ on, keepin’ on!

Thank you very much for your continued support of my work and studio.
A happy, healthy New Year to you and yours!

Shots From and Of My Studio

My studio doubles (quadruples really) as many things when needed: making space, glazing area, gallery, as well as photo room. One of the questions I am asked frequently by fellow makers is do I shoot my own images. I do, and have from the beginning.

My Dad helped me get started photographing my work way back in 1991 with film. (Remember when we called it that and used that stuff?!) Along with my Dad, John Glick (who I assisted/residencied with from 1996-97, and who also shoots his own work, even when large format, 4 x 5 was a tricky medium), helped me understand the settings on the camera, lighting, etc. And it’s really through the same two decades of practicing how to make pots that I’ve had the simultaneous practice of shooting them.

Artwork almost doesn’t exist without images. (These days, maybe nothing exists without images.) Most folks see someone’s work via image (web, books, magazines), many times more than in person, if they ever see it in person at all. The image of the work can be paramount over the work itself, so good, current pix are a necessity. Once I’m ‘in it’, I like the photography part of my studio practice. As the maker, I have a unique idea of how my work should be shot and looks best (from angle to lighting to placement). While I’m making pots, I imagine how they’d be framed in an image and ponder groupings. Someday I would love to have my work professionally ‘styled in situ’ (and am not saying a pro couldn’t do even my simple, standard shots better), but for now, doing it myself also allows me to shoot frequently, so my images for publicity and the web are always current and new.

So, the top image is one I composed and shot for a potential new postcard to illustrate my favorite forms, varied styles, and color pairings. The image below is of me in my studio taken by my hubby for a needed ‘studio shot’ request by NCECA. (The table behind me is where I shot the grouping.) The other images below from my studio are my darling hubby acting as a stand-in for me with our new, shelter-adopted doxie, Hannah, while I try to frame up my shot, and Hannah (the reason I seem to be blogging less) posing with my CM cover when it first arrived. All glimpses from a week-in-the-life of my studio, which isn’t always a pottery-making studio.

 

Studio Glimpse

  

Coming up this weekend is my Holiday Studio Sale (November 5th & 6th), and while I would love for every single one of you to visit me here in north central Massachusetts, I realize that’s just not possible. Part of visiting an artist in their studio is to buy unique items and support handmade, but the other part is to see where the artist works every day. Those of you living beyond New England’s driving distance can always shop directly from my studio online in my Gallery Store and Pottery Shop. While it’s not exactly dropping by and sifting through pots on my shelves in person, it is the next best thing. For everyone (those who live within shipping range and those who live way beyond), I decided to circle my studio and shoot some of the tools and objects that surround me everyday to help fulfill in some small way the “glimpse behind the scenes” reason to visit.

Pictured above: The doormat that welcomes visitors to my space features big flowers, which remind me that spring will eventually come when there’s two feet of snow on the ground. An old tumbler of mine and three-tiered candy dish (from Ikea) hold my most-used tools and reside on a lazy susan in the right corner of my seven-foot work table. And, the large buckets of glaze, which live under my work table and are rolled out when I’m ready to pour and dip the glazes I mix.

  

My test tile board (test tiles are the ceramic artist’s paint chip) displays my current palette of satin and glossy glazes both alone and over stripes of underglaze colors, and new test colors. The chest-high foundation wall of my studio is a great shelf and keeper of many tools, including this decorative tea tin for my pens and markers, and collaborative ceramic basket by my grad professor Brad Schwieger and me for my brushes. A pound scale is a pretty typical tool in a potter’s studio (even of this era) for weighing amounts of clay, like the cups in the background that started as a pound and an eighth ball. I bought my scale at a re-sale shop when I lived in Detroit two years before having a studio in which to use it!

  

On my potter’s wheel sit my throwing tools in a bowl I made while working with studio potter John Glick (1997-98), and have used in multiple studios since. Also visible is the backrest I lean against while I stand to throw to keep my back healthy. Behind my wheel, à la laundry-hung-to-dry style, are lots of influence images. I couldn’t bring myself to tape or push-pin into my new walls yet, so this works and is fun for easy adding and subtracting. Other than me, the workhorse(s) of my studio are my ware boards. These 1″ x 12″ x 36″ boards are my shelves and allow me to tote pots (12 cups fit on one board, for example) from my wheel, to my studio shelving unit, to my kiln shelving unit and back again with relative ease, as well as make the shelving units themselves flexible for holding short items to tall.

Lastly, pictured left is a partial collection of influence objects I’ve picked up at antique stores, resale shops, and apparently anywhere else (like the plastic sandwich “triangle container” I think would make a great flower brick form).

That’s my studio at a glance! I hope some of you can swing by to see it in person and shop elegant for the holidays on Nov. 5th & 6th!