Holiday Studio Sale

Kieffer Ceramics Studio, Holiday Sale

I’m excited to invite my fellow New Englanders to swing by my studio for some good deals before the snow begins to fall here in north central Massachusetts. It’s a perfect opportunity to check out my studio and my hubby’s new and in-progress wood shop, and shop firsts for holiday gifts, as well as some rather wonderful ‘aesthetic’ and ‘minorly flawed’ seconds to save for yourself.

Kieffer Ceramics Studio Sale
Sat, Nov 5th  10 – 5 &
Sun, Nov 6th *11 – 4
*Don’t forget to “fall back” an hour!

We are just a couple miles from a local cheese shop and chocolatier, and about an hour or less each from Framingham, Northampton, and Worcester, MA as well as, Keene, NH and Brattleboro, VT. Visit my Events Page to read about the full details, including address, payment options, parking, and accessibility, or drop me an email if you have questions, KiefferCeramics@gmail.com.

Thank you for supporting creativity and community
by buying and giving handmade.

Summer 2016: Glick, Gills, & Kline

I’ve neglected my blog here because I’ve had a BUSY summer as pictured below! In June, I flew to Michigan to attend mentor and friend John Glick’s retrospective ‘A Legacy In Clay’ at Cranbrook. In July, I taught a two-week workshop at Alfred University alongside my former professor and mentor John Gill. And then just two weeks ago, after spending a week teaching at Penland, I was a guest potter at Michael Kline’s Cousins In Clay studio sale! Check out my summer pictorial of mentors and heroes!

John Glick A Legacy in Clay retrospective at Cranbrook 2016  John Glick and Kristen Kieffer, 2016John Glick, Plum Tree Pottery, 2016  John Glick platter, Legacy retrospective, Cranbrook, 2016

Clockwise from top left: Dozens of pots at John’s retrospective ranging from his MFA show in 1962 to the most recent pots he completed in 2014. John and me photographed before his gallery talk by his wife Susie Symons. One of a dozen large platters (24″ diameter) at his retrospective. John figuratively bounding forward to his next adventure. 

John Glick’s ‘A Legacy in Clay‘ retrospective at the Cranbrook Art Museum included a sea of pots he self-collected over his 50+ year career as a studio potter. His use of glaze, color, layering, gesture, and mark-making is unparalleled. While he is now retired from working in clay, I’m delighted to share that he is continuing his style of surface decoration on wood furniture of his own creation. He is a living national treasure, and I’m so honored to have worked side-by-side with him (1996-97). You can read past blog posts about my mentorship and ergonomic lessons with John here, here, and here.

John Gill demonstrating, Alfred University Summer School, 2016  Kristen Kieffer demonstrating, Alfred University Summer School, 2016Ceramics collection storage at Alfred University  Chinese jar, T'ang Dynasty, The Eumorfopoulos CollectionAndrea Gill and Kristen Kieffer, 2016  Kristen Kieffer cake stand in use and part of the Gill's collection

Clockwise from top left: John Gill demonstrating. Me demonstrating at Alfred University. John Gill’s favorite pot in The Eumorfopoulos Collection books from the special collections room of the Scholes Library at Alfred: a Chinese jar, T’ang Dynasty. My cake stand in use at a summer gathering at the Gill’s, which is also in their collection. Andea Gill and me. Nigerian and Acoma pottery in the ceramics storage of Alfred’s Ceramic Art Museum. 

In July, I was one of five workshop presenters for the first two weeks of Summer School at Alfred University in NY which included John Gill with Visiting Artist In-Chin Lee; Kang-Hyo Lee; Chase Folsom with Visiting Artist Ashley Lyon; Steve Branfman with Visiting Artists Wayne Higby & Hongwei Li; and me. It was a huge honor to be invited to teach a workshop at one of the most renowned institutions for ceramic art in the U.S. to which I was also lucky enough to attend for my BFA (1993-95). So being able to work alongside my former professor John Gill and spend a little off-time with my other former professor (the only female mentor I’ve ever had!) Andrea Gill was a huge, mind-blowing treat.

Michael Kline, Cousins In Clay, 2016  Kristen Kieffer and Michael Kline stamp collaborationVisitor matching plaid Deluxe Clover cup by Kristen Kieffer, Cousins In Clay  Cousins In Clay 2016

Clockwise from top left: Michael Kline and his pottery during set up. A collaboration and demo of Michael’s and my stamps on a plate. Cousins In Clay in full swing. A little visitor who matched my plaid Deluxe Clover cup, right down to the layered slip-trail, perfectly.

In early September, I had the pleasure of being a guest ‘cousin’ at Michael Kline’s pottery during his annual Cousins In Clay studio sale in Bakersville, NC along with fellow potters Samantha Henneke and Bruce Gholson of Bulldog Pottery. All three are lovely people with equally awesome families, so we had a nice weekend with good conversations, laughs, and sales. Plus, Michael is one of my pottery crushes, so I got dibs on the ‘best’ piece there!

PS: I seem to be blogging less these days, so to keep the most up-to-date with all the goings-on in and around my studio, please subscribe to my enewsletter and follow me on Instagram and Facebook too. I’ll be posting about the Utilitarian Clay Symposium at Arrowmont next week in which I’m one of seventeen presenters, and soon about The Democratic Cup for which I am one of twenty-six contributing artists!

Mindful Maker

Kristen Kieffer
I recently did an interview with Missy Graff Ballone for her website and organization Wellness for Makers. She found me through my own blog posts about standing to throw and working with mentor and studio potter John Glick, and wanted to include me in an interview series she has called Mindful Makers. Non-artists and artists alike can benefit from being mindful of our bodies in everyday activities as well as our creative endeavors. Her mission is to “empower artists through education and mindful living [by creating] more productive and sustainable studio practices that improve the longevity of their hands and bodies.”

Wellness for MakersCheck out my interview here where I talk about my own studio ergonomics, bad back history, and being “purposely inefficient.”

Give Wellness for Makers a follow on Instagram and Facebook. She is always looking for images and information about mindful making, so drop her a note if you have articles, resources, or helpful tips to share. Thank you, Missy!

Flower City Pottery Invitational

Flower-City-Pottery-Invitational-2015-poster,-Genesee-Center-for-the-Arts

I’m delighted to be participating in the inaugural Flower City Pottery Invitational happening next Friday eve – Sunday, October 9th – 11th at The Genesee Center for the Arts in Rochester, NY. The show and sale, curated by fellow makers Peter Pincus, Matt, Metz, and Richard Aerni, features twenty potters from all over the country who will be in person with their tables full of pots. The two and half days also includes artist talks and demos which are listed on the schedule here. It’s going to be a spectacular event!

Participating potters: Kenyon Hansen, Ryan Greenheck, Julie Crosby, Mary Barringer, Forrest Lesch-Middelton, John Gill, Peter Beasecker, Jenny Mendes, Tony Clennell, Dan Finnegan, Doug Peltzman, Bob Briscoe, Richard Aerni & Carolyn Stutz, Liz Quakenbush, Kristen Kieffer, Mark Shapiro, Bryan Hopkins, Jane Shellenbarger, & Matt Metz.

Hope to see you, NY!

Standing to Throw & CM Spotlight

Kristen Kieffer Spotlight Ceramics Monthly Summer Working Potter issue 2015

Ceramics Monthly summer issue 2015 Steven Rolf coverThanks to Ceramics Monthly for posing a question to me for the Spotlight page of the summer issue on the Working Potter. It was interesting to reflect on the last 12 years (and in only 300 words!), which is when I declared myself a full-time studio potter. Cover potter Steve Rolf was a grad when I was an undergrad at Alfred (’93-95), and super helpful and supportive of my beginnings, making this extra special on thinking back and change. Thank you, CM!
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Thank you to my hubby for taking this much requested but never till now fulfilled shot for CM, which gives me another opportunity to discuss what’s pictured. I’ve been standing to throw for TWENTY years. I began in ’95 when I threw pots at Greenfield Village for a year, and then with a backrest like this designed after John Glick‘s in ’96 when I worked with him for a year. Standing saved my back. I can’t recommend enough for my fellow potters to check out these two articles John wrote for the Studio Potter journal: “To Sciatica and Back” (1987) and “Down the Spinal Canal” (2001). Everything from his backrest design I adopted to a ‘checklist for longevity’ is addressed in the former article. Both have excellent and thoughtful reflections on adapting to change for body health and are must reads! Thank you, John!

PS: Below is an image of me at my worktable stamping pots. Note how I stack several bats on my banding wheel (my parting gift from my assistantship/residency with John!) so that I’m working about chest high, not hunched over.

Kristen Kieffer stamping in her Massachusetts studio

 

 

Firsts & Seconds

Kristen-Kieffer-Etsy-shop Kieffer Studio 2012

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My home Holiday Studio Sale here in Massachusetts is the first weekend in November, and is a wonderful opportunity for New England locals to purchase seconds, and new work for gifting. For the many who are too far to attend, there are wonderful new pots available now in my online shop, and I’ll continue to add new work through the New Year. Here are the facts:

Kristen-Kieffer-EtsyOnline Etsy Shop
Ongoing: New pots added weekly (almost daily!) with prompt shipping. Start shopping right here.

If your purchase is a gift, I am more than happy to ship directly to the recipient, and include a note that it is from you and any message you would like to convey, plus include care and process info and my latest postcard. (No invoice or receipt is included.)

Studio-Sale-signage-(spring)Holiday Studio Sale
Saturday, Nov 1st 10 – 5 &
Sunday, Nov 2nd 11* – 4 (* “Fall back” for Daylight Savings)
Full event details all right here.

Come by and sample some local cheeses, see where I make my work, and take home a new pot or two for gifts, and a couple seconds for yourself. Hope to see you!
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Thank you for supporting creativity, community,
and local by buying and giving handmade.