I heard the call for green, and after much testing, have responded with this new, light, mint-y, spring-y green, my fourth new color for 2012. I’ve also been working on new forms (batter bowls and teapots with saucers, both with stripe-y underbellied handles inspired by this teapot), and playing with familiar forms, per my usual tinkering (clover cups, bowls, vases, and flower bricks). These lovelies and many more have been, or soon will be, added to my Etsy shop and Gallery store for spring shopping and gifting. I love spring, and I sure love color, so it’s fun to see my studio in bloom!
New (& Green) for Spring
Published May 6, 2012 NEW 1 CommentTags: batter bowl, flower brick, handmade, plate, pottery, stamped cup, studio potter, vase
Pottery Revelry Weekends
Published April 26, 2012 Happenings Leave a CommentTags: ceramics, covered jar, handmade, pottery, studio sale, worcester center for crafts
Catalog Stylin’
Published April 22, 2012 Happenings 3 CommentsTags: bowl, handmade, pottery, Room & Board, studio potter

I’m delighted to share that one of my small stamped bowls (in Garnet) was chosen by a stylist for a photo shoot in Room and Board‘s 2012 catalog. It’s wonderful that companies like Room & Board and West Elm are using handmade objects in their styled environments, helping to illustrate that the arts and craft are important to making a home homey! My bowl is a small addition to the setting (though still distinctive I think), but it’s also in proximity to a KleinReid bud vase, so the honor of being included in the catalog is double for me. Thank you to the gallery folks at Northern Clay Center for both the news and connection.
Pottery Invitational
Published April 15, 2012 Happenings Leave a CommentTags: handmade, pottery, Pottery Invitational, studio potter, worcester center for crafts
The Pottery Invitational Show & Sale at the Worcester Center for Crafts (where I have coincidentally been teaching adult classes since 2001!) is April 27th – 29th! I’m so pleased to be a part of this great two and a half day exhibition and sale that was curated by fellow potters Hayne Bayless and Hannah Niswonger. The show comprises a fantastic group of twenty-two studio potters from New England who will be standing side-by-side with their work for the weekend, making this an exceptional event! Visit the link to read all about events within the event, details, and times here. Artists include Kirsten Bassion, Maya Machin, Hayne Bayless, Michael McCarthy, Dan Bellow, Hannah Niswonger, Dwo Wen Chen, Tom O’Malley, Marty Fielding, Rob Sieminski, Naoko Gomi, Brian Taylor, Louise Harter, Kate Doody, Robbie Heidinger, Sam Taylor, Diana Thomas, Jim Lawton, Tom White, Jeffrey Lipton, Adero Willard, and myself. It’s a must attend event for my fellow New Englanders!
Pictorial: My Mentors
Published March 25, 2012 Influences Leave a CommentTags: ceramics, studio potter
From the top, in reverse chronology: 2001-present, Artist-in-Residency and teaching at the Worcester Center for Crafts with Tom O’Malley. 1998-2001: Graduate school at Ohio University with Brad Schwieger, Joe Bova, Chuck McWeeny, Boomer Moore, and Vince Burke. 1997-98 Artist-in-Residency at the Arrowmont School of Arts & Crafts with Pete Pinnell and Bill Griffith. 1996-97: Artist-in-Residency/Assistant at Plum Tree Pottery with John Glick. 1995-96: Internship at Greenfield Village at the Henry Ford Museum with Bryan Van Benschoten. 1993-95: Undergraduate school at the N.Y.S.C.C. at Alfred University with John Gill, Andrea Gill, Val Cushing, and Steve Rolf. 1991-93: Associate degree at Montgomery College, Rockville with Bob Devers, Don Montano, and Kevin Hluch.
For me, mentors are artists/ aesthetic coaches/ professors/ advisers/ career counsellors who I worked with for a couple days to several years; who offered me crucial support, guidance, and constructive criticism; and who influenced me as a maker, full-time artist, and instructor. I could spend pages posting quotes and sharing how each of these artists helped me ‘in the moment’ and over the years, but for now I thought it would be nice to pay a pictorial tribute. (I’ll have to do another post of peers, friends, and loved ones who I also consider big influencers, trouble-shooters, and butt-kickers.) Ironically, I don’t believe that what an artist makes can offer any real clues into how they teach and critique, but I’m lucky that I’ve had such an amazing collection of thoughtfully talented givers help me who are equally talented makers. I’m fortunate, and very appreciative.












































