Ceramics in Design

Vautrin_Delvigne_Gauffre J_Adler_Brasilia_Stripes_Cone Delvigne_Vautrin_Panier_perce
J_Adler_Helix_vase Giapato_Hula_Hoop Lucchi_Burano blooming_over_cup_DroogR_McBride_Anamorphic_cups M_Wanders_Delft_vase_II R_McBride_Grooveware Eva_Zeisel_gravyandspoonairborne-snotty-vases-mwanders M_Wanders_Delft_vase_I M_Wanders_Delft_vase_IIIBoontje_Table_Stories Boontje_tile Boontje_Other_Side KleinReidStillLifeBlackBisque

First row, from left: Vase Gauffré by Ionna Vautrin & Guillaume Delvigne for Industreal; Brasilia stripes cone vase by Jonathan Adler; Panier percé by Guillaume Delvigne & Ionna Vautrin for Industreal; Second row: Helix tall vase by Jonathan Adler; Hula Hoop by Cristiana Giopato for Industreal; Burano by Michele de Lucchi for Industreal; Blooming over cup by Mina Wu & Jan B. for Droog; Third row: Anamorphic cups by Ross McBride; Royal Delft vase by Marcel Wanders for Moooi; Grooveware by Ross McBride; Gravy boat and spoon by Eva Zeisel; Fourth row: Airborne Snotty Vase by Marcel Wanders; Fifth row: two more Royal Delft vases by M. Wanders for Moooi; Table Stories by Tord Boontje; Last row: Primavera tile by Tord Boontje for Bardelli; The Other Side Ceramics by Tord Boontje for Moroso; and Still Lfe: Black Bisque by KleinReid.

I’ve done a couple of past posts with wallpaper, furniture and home furnishings by designers I enjoy, so thought I should point out some ceramics too.  (See past posts under Favorites and Influences.)   I find these objects and the concepts behind them intriguing (most from the last eight years), and this group of designers are some of my favorites: Boontje, KleinReid, McBride, Vautrin & Delvigne, Wanders and Zeisel.  There is a strong and curious connection between studio artists/potters and industrial designers: kind of a chicken-and-the-egg history with overlap and sharing (or co-opting).   (Objects that weren’t simply white and black (and royal blue apparently) were scarce.  There must be practical as well as design reasons for the lack of color.)   I feel it’s important to be aware of what other artists in my field are up to, and awareness of form and concept for mass and high-end design markets feels equally important, especially as the lines between art and design have blurred.  Ultimately though I agree with a friend and find these objects smart, appealing and inspiring.

Perennial Influence

I couldn’t think of a subject for a new post, so posed the question (to myself), “What have you been thinking about?” I’m in a making cycle, bisqued last weekend, glazed all week for upcoming deadlines and commissions leading up to another firing, and have some new, big ideas, but what I’m really thinking about is my garden.

Agastache  Allium  Allium_bulgaricum  Astilbe
Baptisia  Crimson_Barberry  Bugbane  Dianthus

First Row: Agastache, Allium, Allium bulgaricum, and Astilbe
Second: Baptisia, Barberry, Bugbane, and Dianthus

I love flowers and trees, learning new things and being outside, but when we bought our home almost four years ago, my thumbs all but turned green. My Great Grandma, Grandpa and Dad were each avid gardeners (veggies and flowers), and I enjoy the feeling that I am continuing a family tradition in some small way. Other than the gorgeous results and insects and birds the perennials attract, my favorite part is the escapism. All I think about when I garden is the activity itself and “Ooooo, pretty, pretty.”

Dogwood_Red_twig  Echinacea  Blue_fescue  Fox_glove
Geranium  Hellebore  Heuchera  Heuchera_Red

First ro: Red-twig Dogwood, Echinacea, Blue Fescue and Fox glove
Second: Geranium, Hellebore, Heuchera bloom and Red-leaf Heuchera

I have discovered that I garden the same way I make pots: research and preparation balanced with a healthy dose of impatience and stubbornness. I wound up having little interest in planning, mostly choosing and placing plants together based on color, contrast and shape. As an artist, I seem to be drawn to unusual colors (loving deep purple and bronzed–leaf plants, for example, next to the chartreuse and limes), odd shapes (alliums and lupines) and rich textures. Gardening is the quintessential 3D design experience for me.

Hostas  Hydrangea_Pee_Gee  Lupine_flowers  Lupine_leaves
Japanese_Maple  Penstemon  Sedum  Switchgrass

First row: Hostas, Pee-gee Hydrangea, Lupine flowers and Lupine leaves
Second: Japanese maple, Pentsemon, Sedum and Switchgrass

One of my goals with the garden—other than mental relaxation—was to attract butterflies and birds.  I become giddy (yes, giddy) as new blooms bring big, clumsy bumblebees, darting ruby-throated hummingbirds, waves of monarchs, lazy tiger swallowtails and lone hummingbird moths (the insect I had never seen before having this garden).  Because the garden is so close to the house, lining the entire front porch, I can stand at the door in the morning when I brush my teeth, or sit out there in the evening with a glass of wine in hand, surveying the scene.

our-garden-808All this happiness certainly feeds my studio time, and I’m definitely aware of wanting my slip-trailed shapes to be outlined like an astilbe leaf, a glaze the color of a penstemon leaf, a stamp the radiating shape of a lupine leaf with droplets of water, a vase shaped like the waterfalling grass…
All images courtesy of my garden.