Delighted to have a piece in the Calibrating Color exhibition curated by Kate Doody and Brian Taylor —in conjunction with their new book GLAZE— at Alfred University’s Cohen Gallery. My jar is representing purple in this vibrant show for which each artist’s piece is predominantly one color of the rainbow. Click the postcard below for exhibiting artists and full details.
I’m adding this handful of fresh and springy pots to my online shop on Saturday, April 11th at Noon EST. So if you (like me here in northern MA) are more ready for color and flowers than April is offering, you can get some to enjoy year-round!
I’m winding down a work cycle in my studio as pots are due soon for several shows at NCECA, the annual clay conference this year in Providence, RI. Some shows are already open, and others are only up the few days of the conference. If you live in New England, and/or are attending NCECA, I wanted to let you know where you can see and purchase my work.
At the Rhode Island Convention Center, the actual conference site, I’ll have numerous pots at the EXPO with 18 Hands Gallery (which does not require a pass, so is free), open Tues eve, March 24th thru Fri afternoon, March 27th. I’ll also have some pots in the new POW!: Pots on Wheels truck, which will be parked just outside the convention center.
Just three blocks from the Convention Center, I’ll have a place setting (pictured) in Santa Fe Clay’s annual invitational La Mesa exhibition at the United Methodist Church, 134 Mathewson Street, Providence, Wed, March 25th thru early Sat, March 28th (though by Saturday, purchased pieces start to go to their owners).
About 5 miles from the Convention Center, I will have a teapot (pictured) and teapot-stamped cup in an exhibition called Apprenticelines, which celebrates mentors John Glick (1996-97 for me), Mark Shapiro, Mark Hewitt, Simon Levin, and Sylvie Granatelli, and their past assistants and apprentices. This exhibition is at The Pawtucket Armory Art Center, 172 Exchange St, Pawtucket, open Wed, March 25th thru Sat, March 28th. The opening reception is Fri, 6-9 PM.
I also have work in three Massachusetts exhibitions, each about 35 miles from the Convention Center in different directions:
About an hour northeast of Providence, I have a vase (pictured) in The State of Clay: Pushing Boundaries exhibition at the Fuller Craft Museum, 455 Oak Street, Brockton, MA. This exhibition is open March 7 – May 24.
About 35 minutes southeast of Providence, I have a grande jar (pictured during the show’s install) in the In Residence exhibition, one of four concurrent shows celebrating the Watershed Center for the Ceramic Arts, at the New Bedford Art Museum, 608 Pleasant St, New Bedford, MA (near UMass Dartmouth). This exhibition is open Jan 30 – April 3.
Lastly, about 50 minutes northwest of the conference, I have several larger pieces (one pictured below) in the Looking Back exhibition in the Krikorian Gallery at the Worcester Center for Crafts, 25 Sagamore Rd, Worcester, which celebrates eleven of its past artists-in-residence (2001-03 for me). This exhibition is open March 12 – April 11.
Thoughts of spring and Valentine color –specifically looking beyond winter– is what inspired my work over the last six weeks, buoying my spirits during the cold, short days of December in Massachusetts. This Friday, I will be posting over 40 cups, plates, and bowls of my foray into what I’ve been calling ‘Valenspringtine’ (a mashup of ‘spring’ and Valentine’) pots into my online shop. Being surrounded by candy pink and cherry red, and new collage-like patterns has certainly helped me with the winter doldrums, and I hope you will enjoy them as much as I have. Check out my latest blog post to read a bit more about the new here.
40+ Valenspringtine pots available Friday, January 30th
at Noon EST in my online Etsy shop!
Happy Valenspringtine! ♥
Pictured are my in-progress, Deluxe clover cups and Yunomi
at the leatherhard stage with completed decoration.
December tends to be a quieter time in my studio, a month I try to use for play and development in the midst of ongoing deadlines. For the last six weeks, I’ve focused on color, specifically more.
Around 2012, I began to add hand-brushed color in my stamp patterns, from bits to a bit more. Since this past spring, I’ve been hand-brushing several colors into one or two whole stamps (an image stamp vs. an abstract pattern) creating what I refer to as my Colorized Series. For me, the dazzling color from one completely colored image creates a focal point. The surrounding, uncolored stamps feel wistful and softer, like memories. Hand-coloring every stamp would be prohibitively time-consuming, but more importantly, full color on every image would feel commercial. I want to entice the cup’s owner to turn it ’round in the hand to find, appreciate, and ponder each honey bee (above), for example, colored and uncolored.
The delightful reception to my new Colorized cups encouraged me to delve deeper into cherry reds and cupcake pinks during my December play month. I’m a huge lover of color, but the technical logistics of color in ceramics, in addition to my general glacial aesthetic growth (in no small part because I allow myself to be a precise maker) slowed my figuring of how exactly to bring color to my pots. Suffice it to say, color is happening!
This particular color palette and my ongoing desire for it to be spring year-round (which does not happen here in Massachusetts) lead me to spend my six weeks of play on Valentine-inspired cups, a new series with colorful shapes I’m calling Arabesque Mod (a nod to my love of Islamic art, juiced with contemporary color and mod flair), new flower stamps, and as many polka dots and stripes as I could fit on a cup (above).
The ‘Valentine/Spring in Feb’ or ‘Valenspringtine’ cups, tumblers, and few tableware pieces will be listed in my online shop on Friday, January 30th at noon EST.
Above: Large oval and square fruit baskets, drape-molded (from forms I designed and made), altered, and built porcelain with hand-cut piercings, slip-sponge, underglaze, slip-trail, and Mishima deco, multiple glazes, cone 7 oxidation by Kristen Kieffer. Square: 5″ h x 11″ w x 11″ d; Oval: 6″ h x 11 1/2″ l x 8″ d
I completed a couple new, large baskets recently (above), and wanted to share as these reticulated forms continue to be exciting pieces for me to make. Most of these are already off to their new homes.
The sweet, smaller green one below is available now in my online shop, as are many other lovely pots, but only thru January 15th at which time I will begin subtracting for workshops and shows. So now’s your chance to grab your fave right here!
Think Big! is a 6-week series of interviews designed to help you build the skills you need to expand your creative business, learn some tricks of the trade to sell your work and find new audiences, and think beyond the traditional methods of reaching your market.
Go at your own pace style (with 6 extra weeks of availability beyond course time) with downloadable worksheets, community discussion board to meet and engage fellow makers, and a new interview to watch each week (no matter your time zone), with guests studio potter Meredith Host; ceramic designers KleinReid; studio potter Whitney Smith; licensing expert Arlene Scanlan; book editor and publisher Mary Ann Hall; and Anthropologie artist coordinator and buyer Jennifer Rome.
Sign up for the fun and market skill-building. E-course begins Tues, Jan 6th ($99 prior). Registration continues thru mid-Feb for $149. The course is available for 12 full weeks.
This is my fourth, year-end roundup of goings-on images from my studio and on the road as a workshop presenter, and this year, Visiting Artist. It’s fun for me to look back on the collection of images I’ve shared, and reflect on what’s continued from past years and what was new in 2014 for me as maker. These are just a selection of favorites I posted throughout the year on my Facebook and Instagram. As with past years, it’s not an order, it’s a cycle.
As always, thank you for your continued support of my work and studio.
A happy, healthy New Year to you and yours!
My online shop is brimming with new work, particularly lots’o cups all ready to ship in 1 – 3 days, for gifters who want to share thoughtful, handmade craftsmanship, and giftees who want to receive ‘ornately elegant for everyday.’ Order before Dec 17th to insure Christmas arrival. My shop will stay well-stocked through mid-January for those who receive Etsy Gift Cards or holiday spending money for post-Christmas shopping too.
Thank you for supporting and gifting handmade & elegant from my studio
this season and throughout the year!
Also early in the year, on February 21st and 22nd, is a two-day demo workshop at Jeffcoat Pottery Studio in Calabash, NC, which is between Wilmington, NC and Myrtle Beach, SC near the coast. Click here for all the juicy details.
In June, I’ll be back in New York for a two-day hands-on workshop at the View Art Center in Old Forge, NY on June 27th and 28th.
Lastly is my third five-day hands-on back at the Arrowmont School of Arts & Crafts in Gatlinburg, TN for July 19th – 24th. You can register here, where you can check out my new spin on what I’m offering, also below:
Altered, Ornamented, & Drawn: No Fear! Our workshop will focus on conquering anxiety and embracing play in our sketchbooks and on our pots. We will be altering wheel-thrown or hand-built forms, and then embellishing them with an array of decoration techniques, from stamping and slip-trailing to sponging and resists. In between, we will investigate ways of drawing and collaging in our sketchbooks that are both fun and help fine tune influences and ideas. Demonstrations include throwing, altering and building off the wheel, darting, and a variety of deco techniques including stamp-making. You will leave the workshop with a collection of new skills, a better understanding of timing in clay, and confidence!
All my workshops and most techniques are equally suitable for both throwers and hand-builders with basic skills required.
If I’m not coming where you’d like me to be, please do pass along the Workshops page of my website to your favorite venue as that’s frequently how they come about. As always on that page, you can see the full list of where I’ve taught in the past, more info on what’s offered, as well as new venues as they’re booked. Hope to see you!
PS: If you just can’t make a workshop, I do have a DVD on Surface deco available right here.