NCECA Portland

If you live in or are headed to Portland, OR for the annual NCECA conference next week, I wanted to let you know where you can find my work throughout the city. Just my pots will be there this year, but I do plan to attend next year in Pittsburgh.

I’ll have work at four different exhibition venues this year, none of which require a conference pass. At the Oregon Convention Center (the main conference site), I’ll have almost 40 pots available at the EXPO with 18 Hands Gallery, which opens Tues eve, March 21st and is open daily through Fri afternoon, March 24th. Again, visiting this section of the conference does not require a pass and is free and open to the public.

Already open in store as well as online (link below) and just a 7 minute walk south of the convention center is Progression: 25 years of Functional Form at Butters Gallery celebrating “the lineage of potters Brad Schwieger has influenced in his 25 years at Ohio University.” This exhibition is open through March 25th.

At Redux Gallery (12 min walk SE of the convention center), I’ll have six yunomi for Put A Bird On It, curated by Birdie Boone, which is open March 22 – 25.

And lastly, I’ll have a place setting for Santa Fe Clay’s annual invitational La Mesa exhibition at Exchange Ballroom, also open March 22 -25 and is a 7 min walk north from the convention center.

I don’t often have work on the west coast, so this is a great chance to see pots in person and of course, purchase! Enjoy!

 

NCECA Providence

I’m winding down a work cycle in my studio as pots are due soon for several shows at NCECA, the annual clay conference this year in Providence, RI. Some shows are already open, and others are only up the few days of the conference. If you live in New England, and/or are attending NCECA, I wanted to let you know where you can see and purchase my work.

At the Rhode Island Convention Center, the actual conference site, I’ll have numerous pots at the EXPO with 18 Hands Gallery (which does not require a pass, so is free), open Tues eve, March 24th thru Fri afternoon, March 27th. I’ll also have some pots in the new POW!: Pots on Wheels truck, which will be parked just outside the convention center.

Place setting NCECA

Just three blocks from the Convention Center, I’ll have a place setting (pictured) in Santa Fe Clay’s annual invitational La Mesa exhibition at the United Methodist Church, 134 Mathewson Street, Providence, Wed, March 25th thru early Sat, March 28th (though by Saturday, purchased pieces start to go to their owners).

Kristen Kieffer Teapot PeriwinkleAbout 5 miles from the Convention Center, I will have a teapot (pictured) and teapot-stamped cup in an exhibition called Apprenticelines, which celebrates mentors John Glick (1996-97 for me), Mark Shapiro, Mark Hewitt, Simon Levin, and Sylvie Granatelli, and their past assistants and apprentices. This exhibition is at The Pawtucket Armory Art Center, 172 Exchange St, Pawtucket, open Wed, March 25th thru Sat, March 28th. The opening reception is Fri, 6-9 PM.

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I also have work in three Massachusetts exhibitions, each about 35 miles from the Convention Center in different directions:

Kristen Kieffer Lattice vase

About an hour northeast of Providence, I have a vase (pictured) in The State of Clay: Pushing Boundaries exhibition at the Fuller Craft Museum, 455 Oak Street, Brockton, MA. This exhibition is open March 7 – May 24.

Kieffer Grande jar at New Bedford Art MuseumAbout 35 minutes southeast of Providence, I have a grande jar (pictured during the show’s install) in the In Residence exhibition, one of four concurrent shows celebrating the Watershed Center for the Ceramic Arts, at the New Bedford Art Museum, 608 Pleasant St, New Bedford, MA (near UMass Dartmouth). This exhibition is open Jan 30 – April 3.

Lastly, about 50 minutes northwest of the conference, I have several larger pieces (one pictured below) in the Looking Back exhibition in the Krikorian Gallery at the Worcester Center for Crafts, 25 Sagamore Rd, Worcester, which celebrates eleven of its past artists-in-residence (2001-03 for me). This exhibition is open March 12 – April 11.

Kristen Kieffer Tall flower brick

 

Breakfast Special

Kristen Kieffer Breakfast settings for two and serving

My toast rack, egg cups & caddy, butter dish, and place settings for two
for
Breakfast styled by me at our dining room table.

I received the invitation to participate in a show titled Breakfast (online and in Philly at The Clay Studio 11/7 – 1/4) in April from fellow potter Bryan Hopkins. Each potter was to make their interpretation of a toast rack, egg cups, butter dish or jam jar, plus two plates and cups. I immediately set to work on drawings, particularly of toast racks, knowing I wanted to use wire instead of clay for the dividers. (Indeed, I spent a three-hour flight to a workshop drawing toast racks!)

Kristen Kieffer sketchbook, toast rack drawings

My sketchbook drawings of toast rack ideas.

Kristen Kieffer Toast Rack II

Toast rack in Aqua, Drape-molded (from my design) and altered porcelain with carved,
slip-sponge, underglaze, slip-trail, and Mishima deco, cone 7 oxidation
with multiple glazes, and steel wire.

For the month of May, I was a Visiting Artist at the Archie Bray Foundation in Helena, MT, and spent a chunk of my studio time developing the serving prototypes for this show, as well as making my egg cups and caddies, which I glaze-fired and completed at my home studio.

Kristen Kieffer Egg cups and Caddy

Egg cups & Caddy in Frost, Wheel-thrown, altered and built porcelain with carved, slip-sponge, underglaze, and slip-trail deco, cone 7 oxidation with multiple glazes, and steel wire.

Kristen Kieffer Butter Dish, Periwinkle

Butter dish in Periwinkle, Hand-built porcelain with slip-sponge, underglaze, slip-trail,
and Mishima deco, cone 7 oxidation with multiple glazes.

I don’t often make sets, but do enjoy playing with what defines one. With the pieces for this show, I didn’t want all one glaze color (I used a color family of five), nor identical elements that “match.” Every piece has sky blue underglaze (the stripes and dots of ceramic color I brush on before the first firing because I want it to be layered under my slip-trailing); my swirled slip-sponge pattern (the subtle background texture); and my slip-trail dots and ‘leaf swirl’ pattern. While I played with variations of stripes and polka dots on each piece, as well as how I laid out my leaf swirl, they all share the same style and attention to detail that makes them feel related as a whole, yet able to be mixed and matched or stand strongly alone. (The Yellow Pear cup would just as easily pair with the Spring green plate, for example.)

Kristen Kieffer Breakfast setting yellow pear

Deluxe clover cup & Plate (medium) in Yellow Pear, Wheel-thrown and altered porcelain
with slip-sponge, underglaze, and slip-trail deco, cone 7 oxidation.

Kristen Kieffer Breakfast setting green

Deluxe clover cup & Plate (medium) in Spring Green, Wheel-thrown and altered porcelain
with slip-sponge, underglaze, and slip-trail deco, cone 7 oxidation.

Breakfast opens online and in Philly at The Clay Studio on Friday, November 7 and continues through January 4, 2015, and includes sets by Blair Clemo, Lindsay Oesteritter, Lisa Orr, Meredith Host, Roberto Lugo, Emily Schroeder Willis, and Bryan Hopkins as well as myself.

This was a quite a challenge for me with months of planning and testing yielding one-of-a-kind results. I’m delighted with the final pieces and hope you’ll check the show, in-person if you can, and online for all. Thank you for ‘egging’ me on, Bryan!

Kristen Kieffer Breakfast set (above)