Some images of my pots recently posted on Instagram and Facebook to share and celebrate new work available in my online shop ~ some, exclusively! I delight in trying to convey the influence, habitat, and/or detail (the lovely little enticing bits) of my pots in one square frame. I consistently add new, one-of-a-kind pots to my shop almost weekly, so fresh work is always available for you to have or give. Connect with me on the social medias, but check my Etsy shop (‘favorite’ it too) regularly for what’s new, and thanks as always for your support.
I’ve joined! You can connect with me on Instagram at KiefferCeramics where I’ll mostly be posting pix of new work, adds to my shop, and my studio, but as you can see above, doxie Hannah will be featured as well as our digs. Basically, images from my day, which is mostly our home, or my studio, which is in our home.
I like to think my cake stands aren’t just for cake. While I love cake (mmmm, cake), I like mentioning that cake stands work beautifully for general display in about every room in the home. Pictures do speak better than words, so I shot four of my display stands in four different vignettes in our own home to illustrate their wide-ranging function. Clockwise from top left: for jewelry and bobble boxes on the dresser, dressing table, or vanity in the bedroom; for toiletries and makeup in the bathroom; for a centerpiece, condiment catch-all on the dining table or kitchen; or for plants on a shelf or desk in the living room or office.
It’s fun to offer a stage for our treasured collections or highlight the things we love or use everyday. We think of using a cake stand for celebration, but why not celebrate the everyday? And when not being used daily in every other room, absolutely, put a cake on it!
Start your own celebration with a stand
available in my online shop right here.
Artist Janice Jakielski makes amazing (and tall) cakes for her stand!
My studio doubles (quadruples really) as many things when needed: making space, glazing area, gallery, as well as photo room. One of the questions I am asked frequently by fellow makers is do I shoot my own images. I do, and have from the beginning.
My Dad helped me get started photographing my work way back in 1991 with film. (Remember when we called it that and used that stuff?!) Along with my Dad, John Glick (who I assisted/residencied with from 1996-97, and who also shoots his own work, even when large format, 4 x 5 was a tricky medium), helped me understand the settings on the camera, lighting, etc. And it’s really through the same two decades of practicing how to make pots that I’ve had the simultaneous practice of shooting them.
Artwork almost doesn’t exist without images. (These days, maybe nothing exists without images.) Most folks see someone’s work via image (web, books, magazines), many times more than in person, if they ever see it in person at all. The image of the work can be paramount over the work itself, so good, current pix are a necessity. Once I’m ‘in it’, I like the photography part of my studio practice. As the maker, I have a unique idea of how my work should be shot and looks best (from angle to lighting to placement). While I’m making pots, I imagine how they’d be framed in an image and ponder groupings. Someday I would love to have my work professionally ‘styled in situ’ (and am not saying a pro couldn’t do even my simple, standard shots better), but for now, doing it myself also allows me to shoot frequently, so my images for publicity and the web are always current and new.
So, the top image is one I composed and shot for a potential new postcard to illustrate my favorite forms, varied styles, and color pairings. The image below is of me in my studio taken by my hubby for a needed ‘studio shot’ request by NCECA. (The table behind me is where I shot the grouping.) The other images below from my studio are my darling hubby acting as a stand-in for me with our new, shelter-adopted doxie, Hannah, while I try to frame up my shot, and Hannah (the reason I seem to be blogging less) posing with my CM cover when it first arrived. All glimpses from a week-in-the-life of my studio, which isn’t always a pottery-making studio.
interest. I’m on it, and either you are too, or I’m guessing you’ve never heard of it. Technically it is yet another ‘thing’ to do online, but it’s different (really!), and I’m completely addicted and want you to be too. Actually, it’s perfect if you’re someone like me who frequently bookmarks images into folders to your browser, which you can only see if each one is opened. So! Pinterest is a virtual bulletin board. A place for you to ‘pin’ what ‘interests’ you, thus ‘Pinterest.’ You have your own page where you can have as many pinboards as you’d like on which to pin images you find on the web, repin favorite images others have pinned, and upload your own new images in whatever way strikes your fancy.
I use Pinterest primarily to bookmark influences for inspiration, organize images for future blog posts and Power Point presentations, and minimally to dream about home renovation ideas and fashion purchases (which also inspire pots). Plus, I’m an image lover. Who doesn’t like pretty pictures of fabulous objects?
I’ve been ‘pinning,’ as they call it, for about six months and seem to have accumulated 20 separate pinboards of interests with over 900 images, including Form & Pattern, Color, Couture, Oldies but Goodies, Interiors & Objects, Props to Props, as well as three different ceramics boards (vintage/historical, studio, and industrial design).
So, you can learn more about Pinterest from the NY Times, request an invitation from Pinterest, and follow my pinboards. Below are some recent favorite pix, one each from most of my pinboards. Feel free to pin images from my website and online shops to your boards! Happy Pinning!
I’m going for both meanings of props in my title: “things used in creating or enhancing a desired effect” and “proper respect” (slang).
The idea of using props to spice up my pics, as well as to suggest my pots’ elegant use and beauty in your home is one I have both toyed with and ignored for years. As a former lover of the folded magazines Metropolitan Home and I.D., and current adorer of the hugely popular online design blogs Design*Sponge and Apartment Therapy, I am first in line for expecting (even salivating over) lush interiors with perfectly placed, unusual items in gorgeous environments. The idea of staging my own work, even in the simplest of ways, however, seemed impossibly time prohibitive.
Photography has changed a lot in the last few years, not only leaving the idea of a “photograph” in the dust, but also the simplicity of the single object on a grey background in the wake of staged objects in homey yet tailored settings. Retailers placing goods we want alluringly in environments we love is hardly new, but as we’ve all shifted to online reading and shopping, it’s what we expect, even for handmade.
The influence of Etsy’s marketplace, where I have an online shop and where beautifully styled images of equally beautiful objects is the norm, also made me take notice of staging. So, the time manager and photographer in me decided to let the designer and marketing director in me finally play for once. (As a lone studio potter, I wear all the hats around here.) It did take more time, but was also fun, and it allowed me to shop for props (felt pom pom flowers, soap cupcakes, and wooden flowers, all by fellow Etsy artists in this case), as well as use objects from around our home that are influences for my work like all my books. Even my own work became props for other pots.
It’s just a start, even if it’s baby steps; I’m pleased with the results. Someday when we’ve finished ongoing home renovations, I may do some in-room staging. For now, the time manager continues to breath down my neck (not to mention the potter who would like to get into the studio!). So simple staging is where it’s at for me: bits of playful added to the elegant, modern merriment to the Victorian.
Props to my pots!