Studio Cycles Pictorial 2015

Kristen Kieffer Arabesque mod tumbler in action  Kristen Kieffer stamped mug with blue flowers in progressKristen Kieffer bowls in progress  Kristen Kieffer covered jar in progressKristen Kieffer glaze test tiles  Kristen Kieffer Deluxe clover cups Stripe Dot Floral in progressKristen Kieffer dessert plate and cup in action  Kristen Kieffer Arabesque mod tumblers in actionKristen Kieffer dogwood stamp and sketches  Kristen Kieffer dogwood yunomi with lady bug in progressKristen Kieffer standing to throw in home studio  Kristen Kieffer loaded kiln and empty ware shelvesKristen Kieffer sketch book of cups  Kristen Kieffer new glaze color, Buttercup YellowKristen Kieffer slip-trail detail on covered jar in progress  Kristen Kieffer pitcher in shadowKristen Kieffer Monarch butterfly stamp  Kristen Kieffer stamped cupcake mug in progressKristen Kieffer pierced fruit basket in progress  Kristen Kieffer stamped mug in actionKristen Kieffer stamped Rooster mug  Kristen Kieffer stamped mug with hedgehogKristen Kieffer stamps  Kristen Kieffer stamping mugs in home studioKristen Kieffer Super Stripe Deluxe Clover cups  Kristen Kieffer yunomi in black and redKristen Kieffer with workshop participants from View Art Center, Old Forge, NY  Kristen Kieffer wall pillows in progressKristen Kieffer teapots in progress  Kristen Kieffer fruit basket

This is my fifth, year-end roundup of in-progress and in-action images from my studio and of my pots, plus a workshop image for good measure. It’s fun for me to look back on the collection of images I’ve shared, and reflect on what’s continued from past years and what was new in 2015 for me as a maker (lots!). These are just a selection of favorites I posted throughout the year on my Facebook and Instagram. As with past years, it’s not an order, it’s a cycle.

As always, thank you for your continued support of my work and studio.
A happy, healthy New Year to you and yours!

‘Valenspringtine’ In Progress

Kristen Kieffer yunomi (in progress) w. flowers, Colorized series  Kristen Kieffer Deluxe clover cup (in progress), Arabesque modern seriesKristen Kieffer Deluxe clover cup (in progress) w. stripes and polka dots  Kristen Kieffer yunomi (in progress) w. Honey bees, Pollinator series

Pictured are my in-progress, Deluxe clover cups and Yunomi
at the leatherhard stage with completed decoration.

December tends to be a quieter time in my studio, a month I try to use for play and development in the midst of ongoing deadlines. For the last six weeks, I’ve focused on color, specifically more.

Around 2012, I began to add hand-brushed color in my stamp patterns, from bits to a bit more. Since this past spring, I’ve been hand-brushing several colors into one or two whole stamps (an image stamp vs. an abstract pattern) creating what I refer to as my Colorized Series. For me, the dazzling color from one completely colored image creates a focal point. The surrounding, uncolored stamps feel wistful and softer, like memories. Hand-coloring every stamp would be prohibitively time-consuming, but more importantly, full color on every image would feel commercial. I want to entice the cup’s owner to turn it ’round in the hand to find, appreciate, and ponder each honey bee (above), for example, colored and uncolored.

The delightful reception to my new Colorized cups encouraged me to delve deeper into cherry reds and cupcake pinks during my December play month. I’m a huge lover of color, but the technical logistics of color in ceramics, in addition to my general glacial aesthetic growth (in no small part because I allow myself to be a precise maker) slowed my figuring of how exactly to bring color to my pots. Suffice it to say, color is happening!

This particular color palette and my ongoing desire for it to be spring year-round (which does not happen here in Massachusetts) lead me to spend my six weeks of play on Valentine-inspired cups, a new series with colorful shapes I’m calling Arabesque Mod (a nod to my love of Islamic art, juiced with contemporary color and mod flair), new flower stamps, and as many polka dots and stripes as I could fit on a cup (above).

The ‘Valentine/Spring in Feb’ or ‘Valenspringtine’ cups, tumblers, and few tableware pieces will be listed in my online shop on Friday, January 30th at noon EST.

Studio Cycles Pictorial 2014

Kristen Kieffer tumbler and wild daisies  Demonstrating with Chandra DeBuse (l) and Kristen Kieffer (r) at St. Pete's ClayKristen Kieffer Indigo plate details  Kristen Kieffer new stamps, florals and beesHannah  Kristen Kieffer teapots in progressKristen Kieffer Stamped vases  Taping the Tales of a Red Clay Rambler podcast w. Michael Kline (l), Julia Galloway (m), and Kristen Kieffer (r)Kristen Kieffer bisqueware in progress  Kristen Kieffer chop signatures, cup mandalaDemonstrating with Kathy King (l) and Kristen Kieffer at Southern IL U., Carbondale  Poster girl, The State of Clay exhibition, MA, Kristen Kieffer Grande jarKristen Kieffer sketchbook  Kristen Kieffer glaze testingWorkshop tools  Vases and Visiting Artist month at The Archie Bray FoundationKristen Kieffer wall pillows in progress, May at the Bray  Kristen Kieffer studio influencesKristen Kieffer Screen Vase detail  Demonstrating with Matt Long (l), Adam Field (m), and Kristen Kieffer at the Mary Anderson Center, INKristen Kieffer's pots as contour drawings, studio  Kristen Kieffer flower brick stages in progressKristen Kieffer test tiles  Kristen Kieffer Cherry cup detailKristen Kieffer sketchbook drawings  Kristen Kieffer Arabesque mod tumblers in progressKristen Kieffer Arabesque mod plates in progress  Kristen Kieffer

This is my fourth, year-end roundup of goings-on images from my studio and on the road as a workshop presenter, and this year, Visiting Artist. It’s fun for me to look back on the collection of images I’ve shared, and reflect on what’s continued from past years and what was new in 2014 for me as maker. These are just a selection of favorites I posted throughout the year on my Facebook and Instagram. As with past years, it’s not an order, it’s a cycle.

As always, thank you for your continued support of my work and studio.
A happy, healthy New Year to you and yours!

Architecture Influence Invite & NCECA

Burr House Porch Kristen Kieffer Burr House Flower brick II

I’m delighted to have work in a very unique show at this year’s NCECA, Houston conference curated by ceramic artist, professor, and color guru George Bowes. He invited 18 clay artists to participate, and paired each of us with a specific building in his city of Galveston, TX to use as inspiration for a completed work. The Dwelling on the Gulf: Ceramic Artists Respond to the Architecture of Galveston exhibition takes place at the Galveston Historical Foundation from March 9-28, 2013 and is on the bus tour for NCECA. You can read more about George’s thoughts on the show and see a couple more in progress pix by participating artists here.

Burr House roof line and porch Burr House as flower brick drawingsFlower bricks in process Kieffer Burr House Flower bricks

My assignment was the Lemuel and Julia Burr House (c. 1876), which has a “mixture of classic, gothic, and Italianate styles, and is attributed to Nicholas J. Clayton, Galveston’s leading 19th century architect.” Pictured above is ‘my’ house; drawings I worked up contemplating the house as a pot, its form and deco; leatherhard, in progress; and finished.

I opted to turn my house into a flower brick, an idea that relates to past work, but is much more intricate and based directly on the porch and styling of the Burr House. I incorporated light blue underglaze into the “porch openings” to reflect the sky as well as porch ceiling, navy mishima lines to echo the windows, slip-trailing to illustrate the surrounding trees and gardens, stripes for the roof line, beading for architectural detailing, and polka dots for fun. Invitationals for a specific form and/or influence are fun and challenging, and always push me to do shapes and details beyond my “usuals.”

Participating artists include: Peter Beasecker, William Brouillard, Joan Bruneau, Kristen Cliffel, Deirdre Daw, William Edwards, David Eichelberger, Carol Ann Fer, Julia Galloway, Bill Griffith, Suze Lindsay, Kari Radasch, Louise Rosenfield, Judith Salomon, Richard Shaw, Aaron Sober, Holly Walker, and myself.

Kieffer pots NCECA 2013 Kristen Kieffer place setting La Mesa 2013

For those who are attending NCECA in Houston, come cheer me on as one of four headlining demonstrators! In addition to the Dwelling exhibition, I also have work available at the Houston Convention Center Gallery EXPO with 18 Hands Gallery, opening Tues eve. And a place setting at Santa Fe Clay‘s La Mesa Exhibition at the Holiday Inn Express Downtown. Both are open during the conference, March 20-23.

For those who are unable to attend, no worries! I’m already stocking up my online Etsy shop with new work before I go here, and have upcoming workshops scheduled you can check out here. Hope to see you, and thanks so much for the support!

Studio Cycles Pictorial 2012


I enjoyed putting together this second annual, end of the year group of images from my studio of in progress and new work. These are just a selection of images I posted throughout the year on my Facebook page. As with last year’s, it’s not an order, it’s a cycle. I just completed two glaze firings, so more to come —immediately!— for 2013 here and in my online stores. Keepin’ on, keepin’ on!

Thank you very much for your continued support of my work and studio.
A happy, healthy New Year to you and yours!

Retro Month, In Progress

This last month has been about allowing (maybe giving) myself time to play. YAY! It’s a rare thing for me because of deadlines and requests; my inherently deliberate pace (‘fast’ and ‘detailed’ are mutually exclusive it seems); and currently, perennials are calling to me like Sirens to abandon my studio and toil away my afternoons with them. I chose to play by re-visiting forms from the past, so it has been Retro Month for me here in the studio. Perhaps I felt a bit guilty for sidelining other responsibilities, or I’m just a masochist, but I apparently chose to re-visit some of the most complicated forms I’ve ever made. Go figure.

The first things I made were six Corset vessels (above). This is a form that is the most distinctive in my reperatoire I think, but is actually not a form I make often. In fact, I haven’t made the size pictured (+/- 9″ h) since 2005 when I was still firing cone 10 soda. For some reason when I moved to mid-range electric-firing in ’06, I scaled them up to 15-18″ and made only a couple every so often. So, it was fun to work on a smaller scale with patterns and polka dots I’ve developed in the last years. Indeed, a big part of the point of Retro Month was to bring my new palette (color and pattern) and accumulated experience to familiar, loved forms.

Next, I made Double-walled Baskets (only three; the one pictured above is my fave). I made these the latter part of graduate school at Ohio University over 10 years ago. I LOVE this form—pouffy walls, upholstered-looking surface, voluminous shape, elegant yet jovial attitude—but it is truly a technical nightmare, basically everything that clay doesn’t like or want to do, particularly in porcelain. While this image was the most “liked” pic I’ve ever posted on Facebook, and part of my style has always been to partially ignore the personality of clay, these lovelies may not be coming to an online shop of mine near you soon. They may have mostly served as a wistful reminder of why I stopped making them last time. We’ll see, but I’m not holding my breath as much as they appear to be.

Lastly, I made sets of Screen vases, which haven’t happened for a handful of years for no particular reason, not since my stripy/dotty phase began anyway. I love how these zig zag together in pairs and trios, pattern flowing from one to the other. These were supposed to be the less laborious end to my month…which made my hubby laugh (with love, of course).