Favorites & Influences from the PMA

After teaching my workshop last Thursday at a community college outside of Philadelphia, I spent a leisurely afternoon at the Philadelphia Museum of Art on Friday. It was my second visit, and I highly recommend it.  Larger images of the entire collection are posted at the PMA website (I could only snag the smaller to post here).  These are some of my favorite objects, many of which I sketched and noted in my little sketchbook for future reference and influence.

animals_in_diamond_delft chest_over_drawers compote
green_vase bird_on_a_trough candlestick_sevres coffeepot coffeepot_ri
cylinder_desk_and_bookcase document_box dressing_table_pa
footstool_american bird_tree giorgio_morandi_still_life_1946
interior_of_a_cafe jug_iznik lilac_blossoms
mj_heade pair_of_candelabra persian_tabouret
pillow_song side_chair_pa spice_box two_hares vase_on_brass_mount
vase_with_lid wardrobe
surtout_centerpiece sofa yuan_pillow

From top left, first row: Animals in Diamonds (Dutch/Delft tiles) c.1585 Netherlands; Chest over Drawers, Pennsylvania c.1792; Compote, c.1846 France for President Polk; Second row: Vase, Chicago Terra Cotta Works 19thc. Illinois; Bird at Trough, c.1850 Pennsylvania German; Candlestick, c.1761 Sèvres, France; Coffeepot, c. 1800 Pennsylvania German; Coffeepot, c.1899 Rhode Island; Third row: Cylinder Desk and Bookcase, c.1800 PA; Document Box (painted tin), c.1830 PA; Dressing Table, c.1715 PA;  Fourth row: Footstool, c. 1730 PA; Bird Tree, c.1810 Pennsylvania German; Still Life by Giorgio Morandi, 1946; Fifth row: Interior of a Café by Santiago Rusiñol, 1892; Jug, 17th c. Iznik, Turkey; Lilac Blossoms by Christiaen van Pol, c.1800; Sixth row: Orchids in a Jungle by Martin Johnson Heade, c.1870s; Pair of Candelabra designed by Louis-Constant Sévin, c.1862 France; Tabouret (Persian), early 13th c. Iran; Seventh row: Pillow, Song Dynasty (960-1127) China; Side Chair, c.1870 PA; Spice Box (Painted maple), c. 1870 PA; Two Hares in Moonlight by Cho Tai Eok, Chosòn Dynasty 18th c. Korea; Vase on Brass Mount (glass), c. 1910 U.S.; Eighth row:Vase with Lid, c. 1768 Sèvres, France; Wardrobe designed by Sir Ambrose Heal, c. 1910 England; Last row: Centerpiece (Surtout), Strasbourg faience factory, c.1729 France; Sofa (one of a pair) c.1725 England; Pillow, Yuan Dynasty (1271-1368) China.

Household Influences, Part I

Some of the household details I see everyday in our home, which must seep into my subconscious and penetrate my ideas:

kk_tt_tansu kk_antique_mirror kk_blueandwhite kk_asian_plantstand1 kk_chair_upholstry kk_dish_from_gma kk_dutchtile_and_soap kk_french_table kk_gmas_bells kk_haeger_and_jgreentile kk_jewelrybox_collection kk_kilim kk_nouveau_poster kk_kitchen_blacksplash kk_leaded_glass kk_roadside_lamp kk_samurai kk_shamrocks kk_sidebyside1 kk_us_map1 kk_wool_rug

From top left: “Tabletop Tanzu” detail, walnut and butternut, by Trevor Toney (my husband); Antique mirror, beveled and etched, gift from friends; Blue and white plate (New Wharff Pottery, England) from my Grandma Idene; Second row: Asian plant stand, Brimfield flea market, MA; Upholstery from old armchair, Tiffin, OH antique store; Translucent china-painted dish given to my Grandma by her “8th grade teacher and basketball coach for graduation, 1939”; Third row: Dutch tile (antique store in Nelsonville, OH) and soap boxes; 19th c. French country walnut table, salvaged; Christmas bells from my Grandparents house; Fourth row: Haeger planters and Jason Green tile; Various jewelry boxes including antique black and white ovals (Findley, OH), a Shaker oval (Royal Oak, MI), pyrography box by a Great uncle and a Matt Metz; Kilim rug;  Fifth row: Art Nouveau poster (Tiffin, OH); Our presumably 50’s era kitchen backsplash; Leaded glass window from Detroit flea market;  Sixth row: Working lamp from Ann Arbor, MI electrican’s dumpster; Poster from the Worcester Art Museum’s “Art of the Samurai” exhibition, 2003; Shamrock plant bought in Ann Arbor; Seventh row: 1920s oak side-by-side detail from New Hampshire; United States map detail in my studio; and wool rug from MA antique shop.

Design: Industrial & Fashion Influence

boontje_nest_morosoalexander_mcqueen_fall-08dwi_water_pitchermy_beautiful_backside_for_moroso
alexander-mcqueen-elvie-pursearad_loop_loom_92india_mahdavijohn_galliano
tom_dixon_beat_lights1ron_arad_misfit_couch_moroso_08galliano_for_diorboontje_thinking_of_you_vases
cloverchair_arad_for_driadegirard_dolls_vitrareeves_design_bedhourglass_dwr
From top left: Nest by Tord Boontje for Moroso; Haute Couture, Fall ’08 by Alexander McQueen; Water Pitcher from Design Within Reach; My Beautiful Backside by Doshi Levien for Moroso; Second row: Elvie Purse by Alexander McQueen; Loop Loom by Ron Arad (1992); Bluffer fauteuil (an upholstered chair) and Dot stools by India Mahdavi; Haute Couture, Autumn ’08/Winter ’09 by John Galliano for Dior; Third row: Beat Lights by John Dixon;  Misfit Couch by Ron Arad for Moroso (2008); Galliano for Dior;  Thinking of You Vases by Tord Boontje for Artecnica; Fourth row: Clover Chairs by Ron Arad for Driade (2007);  Wooden Dolls by Alexander Girard for Vitra; Louis Four Poster Bed by John Reeves Design; and Hourglass by Design Within Reach.

I realize the past few posts have been collages of Favorites blending to Influences, but that is where my head is these days.  Besides, I just discovered that the amazing London design duo Nipa Doshi and Jonathan Levien (Doshi Levien) have an elegant and beautiful Loves section on their website here where you can read about their influences, including for My Beautiful Backside.

Influence: Furniture

   
   
   

From top left: “Furniture” by Joan Busquets I Jane; Seating, Osoram by Konstantin Grcic; lamp by Hector Guimard; Tsubomi by Leif.designpark. Second row: side tables by Warren Platner for Knoll; table by Carlo Bugatti; etagere by Louis Marjorelle; Armchair MT1 by Ron Arad. Third row: Cobra chair by Bugatti; Crochet chair by Marcel Wanders for Droog; patterned sofa by Wanders; “bench” by Guimard.

This is a short pictorial of furniture and furniture designers I love covering more than a one hundred year span of time. The formal elements I appreciate in all of these are line, form, positive/negative space and pattern. I draw influence from contemporary and Modern furniture design just as readily as I do from the Art Nouveau era.

I call this series “Corset” (image far left), but it has become more like a small piece of furniture in my mind. The second image is a collage from my sketchbook and how I meld a variety of influences—in this case, Couture clothing and pattern and a bombé chest—into an idea for a ceramic (my design material) vessel.

Influences: A Pictorial

Oribe ware George Nelson bubble lamps Martin Johnson Heade
Bombe highboy Vintage playing cards Mucha Job Tord Boontje
W.Thiebaud Cakes Fruit crate ad 
Haute couture KleinReid birdcages Vintage wallpaper Louis Majorelle Botanical drawing

From top left: Oribe/Mino ware, George Nelson bubble lamps, Martin Johnson Heade paintings; (2nd row) bombé chests, imagery from vintage playing cards, Alphonse Mucha illustrations, Tord Boontje design, architecture and Victorian homes; (3rd row) Wayne Thiebaud pastry paintings, early 1900s fruit crate labels, Islamic brass forms and patterns; (4th row) haute couture, KleinReid design, vintage wallpaper patterns and textures, art nouveau design, lines and patterns –like Louis Marjorelle, and botanical drawings.