I heard the call for green, and after much testing, have responded with this new, light, mint-y, spring-y green, my fourth new color for 2012. I’ve also been working on new forms (batter bowls and teapots with saucers, both with stripe-y underbellied handles inspired by this teapot), and playing with familiar forms, per my usual tinkering (clover cups, bowls, vases, and flower bricks). These lovelies and many more have been, or soon will be, added to my Etsy shop and Gallery store for spring shopping and gifting. I love spring, and I sure love color, so it’s fun to see my studio in bloom!
I’m going for both meanings of props in my title: “things used in creating or enhancing a desired effect” and “proper respect” (slang).
The idea of using props to spice up my pics, as well as to suggest my pots’ elegant use and beauty in your home is one I have both toyed with and ignored for years. As a former lover of the folded magazines Metropolitan Home and I.D., and current adorer of the hugely popular online design blogs Design*Sponge and Apartment Therapy, I am first in line for expecting (even salivating over) lush interiors with perfectly placed, unusual items in gorgeous environments. The idea of staging my own work, even in the simplest of ways, however, seemed impossibly time prohibitive.
Photography has changed a lot in the last few years, not only leaving the idea of a “photograph” in the dust, but also the simplicity of the single object on a grey background in the wake of staged objects in homey yet tailored settings. Retailers placing goods we want alluringly in environments we love is hardly new, but as we’ve all shifted to online reading and shopping, it’s what we expect, even for handmade.
The influence of Etsy’s marketplace, where I have an online shop and where beautifully styled images of equally beautiful objects is the norm, also made me take notice of staging. So, the time manager and photographer in me decided to let the designer and marketing director in me finally play for once. (As a lone studio potter, I wear all the hats around here.) It did take more time, but was also fun, and it allowed me to shop for props (felt pom pom flowers, soap cupcakes, and wooden flowers, all by fellow Etsy artists in this case), as well as use objects from around our home that are influences for my work like all my books. Even my own work became props for other pots.
It’s just a start, even if it’s baby steps; I’m pleased with the results. Someday when we’ve finished ongoing home renovations, I may do some in-room staging. For now, the time manager continues to breath down my neck (not to mention the potter who would like to get into the studio!). So simple staging is where it’s at for me: bits of playful added to the elegant, modern merriment to the Victorian.
Props to my pots!
March – August 2010: PA, MA, NC, TN, & NYC
The images above are the very few I took during my minimal outings at NCECA in Philadelphia, and include some favorite pieces from a quick jaunt through the PMA (Philadelphia Museum of Art) and one great building somewhere in the city with curved leaded windows. (You can see more of my favs from the PMA here.)
The next group of pictures is from jaunts near my home. The first two are from a building in Amherst, MA. I love the tall, slender windows and contrast of brick and stone. The second is a detail of the stone and how they used brick dust in the mortar leaving the stones looking like they are outlined in hot pink. The rest of the images are from two visits to Historic Deerfield in central Massachusetts not far from our home. Since I wasn’t allowed to take pictures in the historic homes, most of the pics (except the barn detail and canopy bed detail) are from pieces in the visible storage cases of their museum. I see different things in each image, from ideas for form and detail to appreciation for handmade and craft like the last two images of the mended bowl and plate.
These last images are a favorite each of something I saw while teaching at the Penland School of Arts & Crafts (the garden bottle tree in Bakersville) and the Appalachian Center for Crafts (one of the many hand-painted signs on campus) this summer. And last but not at all least are two images of the Statue of Liberty I took when I did a lecture for the Brooklyn Potters Guild.
I’m getting better not only at remembering to take my camera with me, but actually remembering to take pictures as well, and hope to share more of what I see and figuratively bring home to my studio with you here.
I am about to head off on my “2010 Summer Tour,” so thought I’d do a blog post before this almost six week hiatus. I have been a bit delinquent about writing here lately, and though I post regularly on my Facebook Ceramics page, I’ve just been too busy with my studio sale, making work before leaving, and enjoying being in, or on the porch next to, my perennial garden. Pictured new striped cake stands just unloaded from the glaze kiln (and The Studio Potter thank you postcard for donating via AKAR’s yunomi invitational).
The first leg of my tour is a drive down to North Carolina so I can teach for the first time at the Penland School of Crafts. I know firsthand how great a place Penland is which makes returning to teach for two weeks with my own large class of 20 (and with ceramic artists Jenny Mendes and Alice Ballard teaching in the other studio), a fantastic treat.
The second trip is my second Artists-Invite-Artists residency at the Watershed Center for the Ceramic Arts. The first time I was invited; this time I am a co-inviter with the talented Rebekah Bogard. We met during the same AIA residency two years ago, and were having such a wonderful time, that by the second or third night, we sat down and came up with a list of artists for our next residency. Now two years later, in addition to showing at the Salad Days Pottery Invitational, our AIA group of talented (and fun) artists will be converging on Watershed very soon for two full weeks of making and mayhem: Kurt Anderson, Mark Burns, Jason Green, Bryan Hiveley, Kathy King, Phyllis Kloda, Lorna Meaden and Nick Sevigney. Pictured new striped plates just unloaded from the glaze kiln.
The last stop is not at all the least. I am very much looking forward to a week of teaching for the first time at the Appalachian Center for Crafts. And since this workshop is over my birthday, we will have an extra special time! Check out the Schedule page for my fall workshop tour schedule. Pictured new striped house form, flower bricks just unloaded from glaze kiln.
Which brings me to the beginnings of my schedule for 2011. Workshops are always being added throughout the year, so check back on my Schedule or Workshops pages. I will be making a return trip in August 2011 to the Arrowmont School of Arts & Crafts where I was an artist-in residence (1997-98), and taught one of my first workshops in 2004. I’m looking forward to the new and familiar, and Gatlinburg is always a riot. Check out Arrowmont’s website for information on their re-location efforts, and how you may be able to help insure this great place has a new space.
So that’s where I’ll be for the next six weeks, and some of where I’ll be at this time next year. I’ll be back here (home and the blogosphere) in August. But if you don’t see a post it’s because I’m helping my hubby renovate our bathroom….or catching up on lost time in my garden. Happy Summer, everyone!
Spring has finally sprung here in north central MA, and I hope for you too. Between the weather, little beginnings in my perennial beds and new vases and other colorful pots in my online store, I’m ready for flowers as well as your springtime shopping needs. Thank you for thinking of my work and handmade for that upcoming wedding, graduation, birthday, or just-because-day (including Mother’s Day, May 9th) coming up in the next couple of months.
Mark your calendars for my Spring Studio Sale the weekend of May 22nd and 23rd, and visit my online Etsy shop here to buy pots.
Happy Springtime, Everyone!
As promised in my last post (before NCECA), here are some new pots that I’m most excited about, ranging from small covered jars and house forms to quite tall (for me) jars and flower bricks, many using underglaze color for details like stripes and dots.
From top right, first row: Large covered jar w. Blue stripes & Allium (16″h) and Large pear covered jar w. Polka dots, Moonlit (15″h); Second row: Tall flower vessel w. Lilacs (Corset series) (14″h) and Tall flower brick w. Stripes (17″h); Third row: Medium plate w. Tangerine stripes (8″ dia.); Fourth row: Small house from flower bricks (each approx. 5-6″h); Fifth row: Small covered jar w. Red ribbon stripes (8″h) and Stamped vase (10″h); Sixth row: Tall flower brick w. Blue stripes (18″h) and Small covered jar w. Polka dots (8″h).