Glaze & American iPottery

Glaze-The Ultimate Ceramic Artist's Guide to Glaze and Color by Brian Taylor and Kate Doody  American iPottery ebook by Kevin Hluch

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I’m delighted to have work included in two new books, one a hard cover and the other an eBook.

Fellow potters Brian Taylor and Kate Doody authored Glaze: The Ultimate Ceramic Artist’s Guide to Glaze and Color. This book not only features glaze recipes and 450 color images, it also includes each “artist’s creative intention behind the glazes used” and technical descriptions of featured pieces. Glaze is available here.

Professor, potter, and author Kevin Hluch spent the last two years creating the comprehensive and exceptionally unique American iPottery. This eBook is a survey of 256 potters (plus their statements, bios, and web links), and includes over 3000 pots, 57 of which are rotatable, 3D images, including my covered jar. (It’s truly amazing to flip a pot around on your iPad screen with your finger, and see every angle, including the foot!) Kevin also authored The Art of Contemporary American Pottery, 2001, the analog precursor to his new ‘eTome’ of over 800 wonderful pages. Download iPottery right here.

Kristen Kieffer, Interactive image 11.8, American iPottery ebook, p.392 Kristen Kieffer, Interactive image 11.9, American iPottery eBook, p. 394.

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Thank you, Brian, Kate, and Kevin, and congratulations!

PS: You can check out other books and publications that include my work on my Press page.

Potter of the Month

Jen Allen grey teapot  Kristen Kieffer Teapot Aqua

Teapot left by Jen Allen, wheel-thrown and altered porcelain, cone 10 reduction. Teapot right by me, wheel-thrown and altered porcelain, cone 7 oxidation.

I’m happy to be fellow potter Jen Allen’s Potter of the Month for June on her blog!  Jen makes lovely pots, and we have a lot in common as makers, both in approach and influences.  I hope you’ll check out my responses to her thoughtful questions, and then check out her wonderful work. Thank you, Jen!

Pattern & Form Article

"Relating Pattern to Form" by Shana Salaff, Pottery Making Illustrated, May/June issue 2014, p. 16.  Kristen Kieffer Stamped vase in Cornflower blue

I’m delighted to have a vase pictured and my work discussed alongside several admired makers in fellow potter Shana Salaff‘s thoughtful article “Relating Pattern to Form” in the May/June 2014 issue of Pottery Making Illustrated. Shana did a lovely job summarizing my own intentions in uniting form and pattern:

Kristen Kieffer’s work, with its pattern-as-texture shares this kind of feeling–the surface and the form feel completely connected. Kieffer uses a stamping technique to apply the main textured pattern, and this changes the form as well as decorates it. The pattern functions to create differing surface depths in the which the glaze will pool and provide different levels of intensity of color, while simultaneously referring to both lace and metalwork. In the interior of the vase, one sees Kieffer’s fingerprints, and we are reminded that a real person’s hand made these marks in a specific time and place. These traces bring the vessel to life.

I hope you can pick up a copy of the magazine and check out the whole article as it’s a very good read, especially given that the relationship between form and pattern is a major part of my deliberations as a maker. Thank you, Shana!

Worcester Living Highlight

Worcester Living cover, Winter issue 2013 Worcester Living title page with Kristen Kieffer

Pictured: Left, Worcester Living cover, Winter 2013 issue.
Right, me on the article title page throwing in my studio, p. 51.

I’m delighted to share a local feature about me, my work and studio in the article “12 Crafters to know in Central Mass” for the new issue of Worcester Living magazine.

Kristen Kieffer Ceramics in Worcester Living, "12 crafters to know in Central Mass,"Winter 2013Author Julia Quinn Szcesuil wanted to highlight artists who live, work, and sell in Worcester County, but have also developed a following and sales nationally through online shops and social media. She did a great job summarizing my thoughts as a maker (which you can read by clicking the image left), and photographer Tom Rettig did a great job of getting me to smile.

Central MA-ers can always find my work in Worcester at the Worcester Center for Crafts where I also teach adult community pottery classes, as well as visit my my biannual home studio sales here in Templeton, usually in early May and early November. (To receive updates about new work, studio sales, and more, sign up for my not-too-frequent enewsletter,  connect with me on Facebook, and/or subscribe to my blog in the upper right of my website.)

And everyone can shop my online Etsy store, which is open and chock-full for the holidays with a few new pots to come in early December!

Sherwin-Williams “Colorful Personalities” Q & A

Kieffer STIR Sherwin-Williams
Since I think about color kind of constantly for both my pots and our home, it was such a delight to receive an email from a lovely freelance writer who not only works with Sherwin-Williams online publications about paint and color for design professionals, but also owns a couple of my pots! Beth Rutledge contacted me in August for a STIR® feature called Colorful Personalities, a “Q & A with people who regularly use color in their vocation.” I appreciate the interest in connecting interior designers with makers through color, and thoroughly enjoyed the conversation, which you can read right here.

STIRSTIR® is the resource that explores the connection between color and cutting-edge design. It examines the many facets of color to help you bring a fresh perspective to your work. STIR® is a print magazine, email newsletter and interactive tablet app for design professionals.”

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STIR: Who do you design for?
KK:
 I design for customers and collectors who appreciate how an elegant and well-crafted handmade object can enhance daily life.

500 Teapots Volume 2

I’m very happy to have a teapot in Lark Crafts’ new 500 Teapots Volume 2 book juried by studio potter and professor Jim Lawton. I have three teapots in the original 500 Teapots book, so it’s nice to be in the new and reflect on the evolution of my work (and teapots specifically) over the twelve intervening years.

I particularly like this passage excerpted from Jim’s introduction:

“The artists represented here are blending innovation and forward thinking with an awareness of what came before. They’re acknowledging a custom that’s deeply rooted in our consciousness even as they propose new forms and iterations for the teapot. Whether it’s used to bring people together or to celebrate solitude, the teapot occupies a special place in cultures all over the world.”

Lark’s 500 Series continues to be a wonderful resource for collectors, makers, and instructors alike. It’s just as fun to see how the teapots are organized in the book as it is to see them all.  My Victorian Islamic, satin-glazed teapot is opposite a juicy, faceted one by Steven Roberts; each has as many similarities as differences. You’ll have to get the book yourself to see more examples of great teapot pairings!