Delighted to have a piece in the Calibrating Color exhibition curated by Kate Doody and Brian Taylor —in conjunction with their new book GLAZE— at Alfred University’s Cohen Gallery. My jar is representing purple in this vibrant show for which each artist’s piece is predominantly one color of the rainbow. Click the postcard below for exhibiting artists and full details.
I’m winding down a work cycle in my studio as pots are due soon for several shows at NCECA, the annual clay conference this year in Providence, RI. Some shows are already open, and others are only up the few days of the conference. If you live in New England, and/or are attending NCECA, I wanted to let you know where you can see and purchase my work.
At the Rhode Island Convention Center, the actual conference site, I’ll have numerous pots at the EXPO with 18 Hands Gallery (which does not require a pass, so is free), open Tues eve, March 24th thru Fri afternoon, March 27th. I’ll also have some pots in the new POW!: Pots on Wheels truck, which will be parked just outside the convention center.
Just three blocks from the Convention Center, I’ll have a place setting (pictured) in Santa Fe Clay’s annual invitational La Mesa exhibition at the United Methodist Church, 134 Mathewson Street, Providence, Wed, March 25th thru early Sat, March 28th (though by Saturday, purchased pieces start to go to their owners).
About 5 miles from the Convention Center, I will have a teapot (pictured) and teapot-stamped cup in an exhibition called Apprenticelines, which celebrates mentors John Glick (1996-97 for me), Mark Shapiro, Mark Hewitt, Simon Levin, and Sylvie Granatelli, and their past assistants and apprentices. This exhibition is at The Pawtucket Armory Art Center, 172 Exchange St, Pawtucket, open Wed, March 25th thru Sat, March 28th. The opening reception is Fri, 6-9 PM.
I also have work in three Massachusetts exhibitions, each about 35 miles from the Convention Center in different directions:
About an hour northeast of Providence, I have a vase (pictured) in The State of Clay: Pushing Boundaries exhibition at the Fuller Craft Museum, 455 Oak Street, Brockton, MA. This exhibition is open March 7 – May 24.
About 35 minutes southeast of Providence, I have a grande jar (pictured during the show’s install) in the In Residence exhibition, one of four concurrent shows celebrating the Watershed Center for the Ceramic Arts, at the New Bedford Art Museum, 608 Pleasant St, New Bedford, MA (near UMass Dartmouth). This exhibition is open Jan 30 – April 3.
Lastly, about 50 minutes northwest of the conference, I have several larger pieces (one pictured below) in the Looking Back exhibition in the Krikorian Gallery at the Worcester Center for Crafts, 25 Sagamore Rd, Worcester, which celebrates eleven of its past artists-in-residence (2001-03 for me). This exhibition is open March 12 – April 11.
These are my pieces in FORTIFY, an in-store and online exhibition at Schaller Gallery to support the Craft Emergency Relief Fund. Anthony Schaller is generously donating 20% of the gallery’s commission to support CERF+. The exhibition opened today for online purchasing and pots are going fast! FORTIFY: An Exhibition to support CERF+, Nov 20 – Dec 19, 2014.
CERF+ is a national artists’ service organization whose mission is to safeguard and sustain the careers of craft artists and provide emergency resources that benefit all artists. I know several potters who have been helped by CERF+. Thank you, Anthony!
My toast rack, egg cups & caddy, butter dish, and place settings for two
for Breakfast styled by me at our dining room table.
I received the invitation to participate in a show titled Breakfast (online and in Philly at The Clay Studio 11/7 – 1/4) in April from fellow potter Bryan Hopkins. Each potter was to make their interpretation of a toast rack, egg cups, butter dish or jam jar, plus two plates and cups. I immediately set to work on drawings, particularly of toast racks, knowing I wanted to use wire instead of clay for the dividers. (Indeed, I spent a three-hour flight to a workshop drawing toast racks!)
My sketchbook drawings of toast rack ideas.
Toast rack in Aqua, Drape-molded (from my design) and altered porcelain with carved,
slip-sponge, underglaze, slip-trail, and Mishima deco, cone 7 oxidation
with multiple glazes, and steel wire.
For the month of May, I was a Visiting Artist at the Archie Bray Foundation in Helena, MT, and spent a chunk of my studio time developing the serving prototypes for this show, as well as making my egg cups and caddies, which I glaze-fired and completed at my home studio.
Egg cups & Caddy in Frost, Wheel-thrown, altered and built porcelain with carved, slip-sponge, underglaze, and slip-trail deco, cone 7 oxidation with multiple glazes, and steel wire.
Butter dish in Periwinkle, Hand-built porcelain with slip-sponge, underglaze, slip-trail,
and Mishima deco, cone 7 oxidation with multiple glazes.
I don’t often make sets, but do enjoy playing with what defines one. With the pieces for this show, I didn’t want all one glaze color (I used a color family of five), nor identical elements that “match.” Every piece has sky blue underglaze (the stripes and dots of ceramic color I brush on before the first firing because I want it to be layered under my slip-trailing); my swirled slip-sponge pattern (the subtle background texture); and my slip-trail dots and ‘leaf swirl’ pattern. While I played with variations of stripes and polka dots on each piece, as well as how I laid out my leaf swirl, they all share the same style and attention to detail that makes them feel related as a whole, yet able to be mixed and matched or stand strongly alone. (The Yellow Pear cup would just as easily pair with the Spring green plate, for example.)
Deluxe clover cup & Plate (medium) in Yellow Pear, Wheel-thrown and altered porcelain
with slip-sponge, underglaze, and slip-trail deco, cone 7 oxidation.
Deluxe clover cup & Plate (medium) in Spring Green, Wheel-thrown and altered porcelain
with slip-sponge, underglaze, and slip-trail deco, cone 7 oxidation.
Breakfast opens online and in Philly at The Clay Studio on Friday, November 7 and continues through January 4, 2015, and includes sets by Blair Clemo, Lindsay Oesteritter, Lisa Orr, Meredith Host, Roberto Lugo, Emily Schroeder Willis, and Bryan Hopkins as well as myself.
This was a quite a challenge for me with months of planning and testing yielding one-of-a-kind results. I’m delighted with the final pieces and hope you’ll check the show, in-person if you can, and online for all. Thank you for ‘egging’ me on, Bryan!
Grande Covered Jar (Allium pattern), Wheel-thrown and altered porcelain with slip-sponge, underglaze, and slip-trail deco, cone 7 oxidation. 16″ h x 8″ w x 8″ d
I’m THRILLED to share that I received First Place in the first Zanesville Prize for Contemporary Ceramics for this Grande Jar! There were over 1400 submissions competing for the $30K total in prize money with only 97 works chosen for the exhibition held at Seiler’s Gallery in Zanesville, OH. Big huge thank yous to jurors Brad Schwieger, Sherman Hall, and Angelica Pozo, and the Muskingum County Community Foundation for this great honor. I am Over The Moon!
I’m delighted to have work included in two new books, one a hard cover and the other an eBook.
Fellow potters Brian Taylor and Kate Doody authored Glaze: The Ultimate Ceramic Artist’s Guide to Glaze and Color. This book not only features glaze recipes and 450 color images, it also includes each “artist’s creative intention behind the glazes used” and technical descriptions of featured pieces. Glaze is available here.
Professor, potter, and author Kevin Hluch spent the last two years creating the comprehensive and exceptionally unique American iPottery. This eBook is a survey of 256 potters (plus their statements, bios, and web links), and includes over 3000 pots, 57 of which are rotatable, 3D images, including my covered jar. (It’s truly amazing to flip a pot around on your iPad screen with your finger, and see every angle, including the foot!) Kevin also authored The Art of Contemporary American Pottery, 2001, the analog precursor to his new ‘eTome’ of over 800 wonderful pages. Download iPottery right here.
Thank you, Brian, Kate, and Kevin, and congratulations!
PS: You can check out other books and publications that include my work on my Press page.