NCECA Portland

If you live in or are headed to Portland, OR for the annual NCECA conference next week, I wanted to let you know where you can find my work throughout the city. Just my pots will be there this year, but I do plan to attend next year in Pittsburgh.

I’ll have work at four different exhibition venues this year, none of which require a conference pass. At the Oregon Convention Center (the main conference site), I’ll have almost 40 pots available at the EXPO with 18 Hands Gallery, which opens Tues eve, March 21st and is open daily through Fri afternoon, March 24th. Again, visiting this section of the conference does not require a pass and is free and open to the public.

Already open in store as well as online (link below) and just a 7 minute walk south of the convention center is Progression: 25 years of Functional Form at Butters Gallery celebrating “the lineage of potters Brad Schwieger has influenced in his 25 years at Ohio University.” This exhibition is open through March 25th.

At Redux Gallery (12 min walk SE of the convention center), I’ll have six yunomi for Put A Bird On It, curated by Birdie Boone, which is open March 22 – 25.

And lastly, I’ll have a place setting for Santa Fe Clay’s annual invitational La Mesa exhibition at Exchange Ballroom, also open March 22 -25 and is a 7 min walk north from the convention center.

I don’t often have work on the west coast, so this is a great chance to see pots in person and of course, purchase! Enjoy!

 

Mindful Maker

Kristen Kieffer
I recently did an interview with Missy Graff Ballone for her website and organization Wellness for Makers. She found me through my own blog posts about standing to throw and working with mentor and studio potter John Glick, and wanted to include me in an interview series she has called Mindful Makers. Non-artists and artists alike can benefit from being mindful of our bodies in everyday activities as well as our creative endeavors. Her mission is to “empower artists through education and mindful living [by creating] more productive and sustainable studio practices that improve the longevity of their hands and bodies.”

Wellness for MakersCheck out my interview here where I talk about my own studio ergonomics, bad back history, and being “purposely inefficient.”

Give Wellness for Makers a follow on Instagram and Facebook. She is always looking for images and information about mindful making, so drop her a note if you have articles, resources, or helpful tips to share. Thank you, Missy!

Flower City Pottery Invitational

Flower-City-Pottery-Invitational-2015-poster,-Genesee-Center-for-the-Arts

I’m delighted to be participating in the inaugural Flower City Pottery Invitational happening next Friday eve – Sunday, October 9th – 11th at The Genesee Center for the Arts in Rochester, NY. The show and sale, curated by fellow makers Peter Pincus, Matt, Metz, and Richard Aerni, features twenty potters from all over the country who will be in person with their tables full of pots. The two and half days also includes artist talks and demos which are listed on the schedule here. It’s going to be a spectacular event!

Participating potters: Kenyon Hansen, Ryan Greenheck, Julie Crosby, Mary Barringer, Forrest Lesch-Middelton, John Gill, Peter Beasecker, Jenny Mendes, Tony Clennell, Dan Finnegan, Doug Peltzman, Bob Briscoe, Richard Aerni & Carolyn Stutz, Liz Quakenbush, Kristen Kieffer, Mark Shapiro, Bryan Hopkins, Jane Shellenbarger, & Matt Metz.

Hope to see you, NY!

Standing to Throw & CM Spotlight

Kristen Kieffer Spotlight Ceramics Monthly Summer Working Potter issue 2015

Ceramics Monthly summer issue 2015 Steven Rolf coverThanks to Ceramics Monthly for posing a question to me for the Spotlight page of the summer issue on the Working Potter. It was interesting to reflect on the last 12 years (and in only 300 words!), which is when I declared myself a full-time studio potter. Cover potter Steve Rolf was a grad when I was an undergrad at Alfred (’93-95), and super helpful and supportive of my beginnings, making this extra special on thinking back and change. Thank you, CM!
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Thank you to my hubby for taking this much requested but never till now fulfilled shot for CM, which gives me another opportunity to discuss what’s pictured. I’ve been standing to throw for TWENTY years. I began in ’95 when I threw pots at Greenfield Village for a year, and then with a backrest like this designed after John Glick‘s in ’96 when I worked with him for a year. Standing saved my back. I can’t recommend enough for my fellow potters to check out these two articles John wrote for the Studio Potter journal: “To Sciatica and Back” (1987) and “Down the Spinal Canal” (2001). Everything from his backrest design I adopted to a ‘checklist for longevity’ is addressed in the former article. Both have excellent and thoughtful reflections on adapting to change for body health and are must reads! Thank you, John!

PS: Below is an image of me at my worktable stamping pots. Note how I stack several bats on my banding wheel (my parting gift from my assistantship/residency with John!) so that I’m working about chest high, not hunched over.

Kristen Kieffer stamping in her Massachusetts studio

 

 

Graphic Clay & Electric Kiln Ceramics

Graphic Clay - Ceramic Surfaces & Printed Image Transfer Techniques by Jason Bige Burnett. Kristen Kieffer image p.59  Electric Kiln Ceramics - A Guide to Clays, Glazes, and Electric Kilns, Fourth Edition by Richard Zakin and Frederick Bartolovic. Kristen Kieffer images pp. 70, 72 and 76

I’m delighted to have work in two new books, hot off the presses!

Fellow potter Jason Burnett wrote Graphic Clay: Ceramic Surfaces & Printed Image Transfer Techniques. And professor and maker Frederick Bartolovic completely rewrote, revised, expanded, and updated Richard Zakin’s Electric Kiln Ceramics: A Guide to Clays, Glazes, and Electric Kilns for a Fourth Edition. Thanks for requesting my work, gentlemen!

Kristen Kieffer Stamped cup grouping
Kristen Kieffer Grouping, Cup to Corset

Kristen Kieffer yunomi

 

 

 

 

 

PS: You can check out other books and publications that include my work on my Press page.

Calibrating Color at Alfred

Kristen Kieffer small jar, VioletDelighted to have a piece in the Calibrating Color exhibition curated by Kate Doody and Brian Taylor —in conjunction with their new book GLAZE— at Alfred University’s Cohen Gallery. My jar is representing purple in this vibrant show for which each artist’s piece is predominantly one color of the rainbow. Click the postcard below for exhibiting artists and full details.

Calibrating Color Cohen Gallery show at Alfred University