Online Shopping Till 4/10

EtsyI wanted to share that I will be emptying my Online Etsy Shop April 10th, and won’t be restocking until the end of May. Additionally, I won’t be having my Annual Spring Studio Sale here in MA this year.

So! If you have some springtime gifting needs, or have been eyeing something special, now’s the time! There are many wonderful pots in my shop ready to ship.

Thank you as always for supporting Elegant & Handmade
from my studio, and Happy Spring!

Fresh & Springy

Kristen Kieffer Pierced basket Square Mishima Periwinkle kimono I  Kristen Kieffer Pierced basket Square Mishima Periwinkle kimono IIKristen Kieffer Pierced basket Blue Mishima kimono

It’s not remotely spring here in north central boonies Massachusetts, but my internal spring clock is TICKING! If I can’t have flowers outside, I can sure make them happen in my studio.

Along with the flourishing florals are ongoing and new investigations in form and layers. I continue to be excited about pierced forms, and have some new larger ones pictured here (which are loosely inspired by kimono fabrics). I’ve added two new glossy glaze colors (Violet and Aqua), and am continuing to play with Mishima. Lastly, I have introduced some new stamp patterns, and have a new bowl style.

Some of these pots are destined for shows, but others are popping up in my online Etsy shop like springtime daffodils.

Kristen Kieffer Pierced basket Frost Mishima kimono
Kristen Kieffer tableware place setting plate, cup, bowlKristen Kieffer Pierced basket Square Mishima Frost kimono I  Kristen Kieffer Pierced basket Square Mishima Frost kimono II
Kristen Kieffer Stamped cups grouping
Kristen Kieffer Yellow pear w. lime medium plate  Kristen Kieffer large dinner plate Spring green leaf stripe
Kristen Kieffer medium sandwich plate Aqua  Kristen Kieffer Violet indigo medium sandwich plate
Kristen Kieffer Pierced basket Aqua floral

Studio Cycles Pictorial 2013

      
   
      
          

It’s enjoyable to put together this annual, year end pictorial of images from my studio of in-progress and new work, as well as artist goings-on, and reflect back on both 2013′s newness and continuations. These are just a selection of images I posted throughout the year on my Facebook page and now Instagram too. As with last year’s, it’s not an order, it’s a cycle.

As always, thank you for your continued support of my work and studio.
A happy, healthy New Year to you and yours!

Ready To Ship

            

These and many more great goodies are in my online shop ready to ship, for gifters who want to share thoughtful, handmade craftsmanship, and giftees who want to receive ‘ornately elegant for everyday.’

Pots usually ship next day. Order before December 18th to insure Christmas arrival.

My shop will stay well-stocked through mid-January for those who receive Etsy Gift Cards or holiday spending money for post-Christmas shopping too.

Thank you for buying and giving from my studio
this season and throughout the year!

New Work, Studio & Online Sales

Kristen Kieffer fruit basketMy home Holiday Studio Sale here in Massachusetts is this weekend, and for the many of you who are too far to attend, I’ll be promptly posting new work in my online shop just after. Here are the facts:

Holiday Studio Sale
Saturday, November 2nd 10 – 5 &
Sunday, November 3rd 11 – 4
Full details are right here.

Online Etsy Adds
Beginning Tuesday, November 5th at Noon EST, I’ll begin rolling out new work with 20 new pieces, including pierced baskets, cups with new stamps, and Mishima plates.Kristen Kieffer Gal skull cupKK Ocean Mishima
Kristen Kieffer flower basket

Thank you for supporting creativity and community
by buying and giving handmade this holiday season.

Pierced Pottery: Basket Faves & Influence

    

A couple weeks ago, I was in my studio pondering, and had a ‘piercing epiphany.’ I haven’t had time to do more than draw just yet, but am excited about expanding my use of piercing/reticulation/cut-outs (as pictured above) on some new and existing forms as a way to play with line, light and shadow, and form through articulated pattern.

The development of new forms paired with new surfaces is a given goal, but some days I feel more inspired (a.k.a. internally pressured) to bring that back-burnered desire to the fore. That drive usually sends me to my books on silver, my favored springboard for new forms. (It is perhaps odd to be influenced by centuries-old objects with functions so specific, many are now obsolete, but most any form for me can become an idea for a vase, which can then lead to many more ideas.)

So I was down in my studio thinking, but my books were upstairs and are worn from years of gleaning, and my computer was downstairs with me and filled with new, enticing images I’ve been bookmarking, so of course, I opened my computer. I visited my own Pinterest boards where I ‘pin’ both objects I enjoy (favorites) and objects that inspire my forms and surfaces (influence). A common thread popped out to me from my Form & Pattern, Oldies But Goodies, Ceramics: Vintage/Historical, and Ceramics: Studio Potters/Artists boards, and sent me to my sketchbook to draw: Piercing.

  

Pierced work was very popular in both silver and pottery in the 18th century (particularly the latter half) in England and Europe. I haven’t found specific information claiming so, but piercing seems a wonderful blend of form and function: the cut-outs allow air circulation (for food service and storage) while both visually defining form and lightening materials (silver, clay, wood) that can otherwise appear a bit more heavy or dense. (I sometimes envy glass’ ability to be simultaneously solid and transparent.) I also enjoy pierced elements in architecture, furniture, clothing, and many more mediums.

So, I’ve yet to get started on my own cut-outs, but have done some drawings, am very excited about minimal and maximal piercing (particularly for fruit bowls and baskets), and collected some of my favorite basket-y forms by fellow studio potters mixed in with ones from the 18th c. for you below. Enjoy, and stay tuned for some pierced pots from my own studio!

                   
  

From top left: Rebecca Chappell; Shorthose & Heath creamware; and Kari Radasch. Second row: Dr. Wall chestnut basket, c. 1750s; and Bryan Hopkins. Third row: Baddelly creamware basket, c. mid 1700s; and Creamware basket, c. 18th century. Fourth row: Brian Jones; and Bruce Cochrane. Fifth row: Odette fruitbowl w. silver stand; Steven Godfrey; and Monticello creamware basket (reproduction). Sixth row: Malene Mullertz; and Julie Crosby. Seventh row: Spode Pierced Creamware Basket and Stand, c. 1820. Last row: Sunshine Cobb; and Remodelista ‘Farmer’s market basket’.

Retro Month, In Progress


This last month has been about allowing (maybe giving) myself time to play. YAY! It’s a rare thing for me because of deadlines and requests; my inherently deliberate pace (‘fast’ and ‘detailed’ are mutually exclusive it seems); and currently, perennials are calling to me like Sirens to abandon my studio and toil away my afternoons with them. I chose to play by re-visiting forms from the past, so it has been Retro Month for me here in the studio. Perhaps I felt a bit guilty for sidelining other responsibilities, or I’m just a masochist, but I apparently chose to re-visit some of the most complicated forms I’ve ever made. Go figure.

The first things I made were six Corset vessels (above). This is a form that is the most distinctive in my reperatoire I think, but is actually not a form I make often. In fact, I haven’t made the size pictured (+/- 9″ h) since 2005 when I was still firing cone 10 soda. For some reason when I moved to mid-range electric-firing in ’06, I scaled them up to 15-18″ and made only a couple every so often. So, it was fun to work on a smaller scale with patterns and polka dots I’ve developed in the last years. Indeed, a big part of the point of Retro Month was to bring my new palette (color and pattern) and accumulated experience to familiar, loved forms.


Next, I made Double-walled Baskets (only three; the one pictured above is my fave). I made these the latter part of graduate school at Ohio University over 10 years ago. I LOVE this form—pouffy walls, upholstered-looking surface, voluminous shape, elegant yet jovial attitude—but it is truly a technical nightmare, basically everything that clay doesn’t like or want to do, particularly in porcelain. While this image was the most “liked” pic I’ve ever posted on Facebook, and part of my style has always been to partially ignore the personality of clay, these lovelies may not be coming to an online shop of mine near you soon. They may have mostly served as a wistful reminder of why I stopped making them last time. We’ll see, but I’m not holding my breath as much as they appear to be.

Lastly, I made sets of Screen vases, which haven’t happened for a handful of years for no particular reason, not since my stripy/dotty phase began anyway. I love how these zig zag together in pairs and trios, pattern flowing from one to the other. These were supposed to be the less laborious end to my month…which made my hubby laugh (with love, of course).

NEW New Work

Kristen Kieffer Flower VesselsKristen Kieffer House Form VasesKKHouse_form_sm_honeyKristen KIeffer Large Covered JarsKKWire_basket_grapeKKHouseForm_SmLime_wflowersKristen Kieffer Stamped vasesKristen Kieffer Wire BasketsLarge “Classic” Covered Jars and flower vessels:
House Forms, Stamped Vases and Wire-handled Baskets.

These are new pots fresh from the kiln, as well as brand new forms in shape, design or decoration.  I just unloaded these (more pics and details on the New: Form & Surface page) and many more from three kilns in the last week.  There are more new pots and I will post once I take their pictures too.