I’m adding this handful of fresh and springy pots to my online shop on Saturday, April 11th at Noon EST. So if you (like me here in northern MA) are more ready for color and flowers than April is offering, you can get some to enjoy year-round!
I’m winding down a work cycle in my studio as pots are due soon for several shows at NCECA, the annual clay conference this year in Providence, RI. Some shows are already open, and others are only up the few days of the conference. If you live in New England, and/or are attending NCECA, I wanted to let you know where you can see and purchase my work.
At the Rhode Island Convention Center, the actual conference site, I’ll have numerous pots at the EXPO with 18 Hands Gallery (which does not require a pass, so is free), open Tues eve, March 24th thru Fri afternoon, March 27th. I’ll also have some pots in the new POW!: Pots on Wheels truck, which will be parked just outside the convention center.
Just three blocks from the Convention Center, I’ll have a place setting (pictured) in Santa Fe Clay’s annual invitational La Mesa exhibition at the United Methodist Church, 134 Mathewson Street, Providence, Wed, March 25th thru early Sat, March 28th (though by Saturday, purchased pieces start to go to their owners).
About 5 miles from the Convention Center, I will have a teapot (pictured) and teapot-stamped cup in an exhibition called Apprenticelines, which celebrates mentors John Glick (1996-97 for me), Mark Shapiro, Mark Hewitt, Simon Levin, and Sylvie Granatelli, and their past assistants and apprentices. This exhibition is at The Pawtucket Armory Art Center, 172 Exchange St, Pawtucket, open Wed, March 25th thru Sat, March 28th. The opening reception is Fri, 6-9 PM.
I also have work in three Massachusetts exhibitions, each about 35 miles from the Convention Center in different directions:
About an hour northeast of Providence, I have a vase (pictured) in The State of Clay: Pushing Boundaries exhibition at the Fuller Craft Museum, 455 Oak Street, Brockton, MA. This exhibition is open March 7 – May 24.
About 35 minutes southeast of Providence, I have a grande jar (pictured during the show’s install) in the In Residence exhibition, one of four concurrent shows celebrating the Watershed Center for the Ceramic Arts, at the New Bedford Art Museum, 608 Pleasant St, New Bedford, MA (near UMass Dartmouth). This exhibition is open Jan 30 – April 3.
Lastly, about 50 minutes northwest of the conference, I have several larger pieces (one pictured below) in the Looking Back exhibition in the Krikorian Gallery at the Worcester Center for Crafts, 25 Sagamore Rd, Worcester, which celebrates eleven of its past artists-in-residence (2001-03 for me). This exhibition is open March 12 – April 11.
Thoughts of spring and Valentine color –specifically looking beyond winter– is what inspired my work over the last six weeks, buoying my spirits during the cold, short days of December in Massachusetts. This Friday, I will be posting over 40 cups, plates, and bowls of my foray into what I’ve been calling ‘Valenspringtine’ (a mashup of ‘spring’ and Valentine’) pots into my online shop. Being surrounded by candy pink and cherry red, and new collage-like patterns has certainly helped me with the winter doldrums, and I hope you will enjoy them as much as I have. Check out my latest blog post to read a bit more about the new here.
40+ Valenspringtine pots available Friday, January 30th
at Noon EST in my online Etsy shop!
Happy Valenspringtine! ♥
Above: Large oval and square fruit baskets, drape-molded (from forms I designed and made), altered, and built porcelain with hand-cut piercings, slip-sponge, underglaze, slip-trail, and Mishima deco, multiple glazes, cone 7 oxidation by Kristen Kieffer. Square: 5″ h x 11″ w x 11″ d; Oval: 6″ h x 11 1/2″ l x 8″ d
I completed a couple new, large baskets recently (above), and wanted to share as these reticulated forms continue to be exciting pieces for me to make. Most of these are already off to their new homes.
The sweet, smaller green one below is available now in my online shop, as are many other lovely pots, but only thru January 15th at which time I will begin subtracting for workshops and shows. So now’s your chance to grab your fave right here!
New and super, special cups will be added each day this week at NOON EST with more of my usual lovelies (cups, tumblers, and a couple yunomi) sprinkled into my online shop daily. Because I’m so excited about the new pieces I unloaded from my glaze kiln yesterday, I’m announcing in advance which cups will be available in my shop and when:
Mon, 11/24 – 2 cherry cups (pictured top left)
Tues, 11/25 – 2 honey bee cups, & 1 honey bee yunomi (pictured bottom left)
Wed, 11/26 – 2 cherry yunomi (pictured top right)
Thanksgiving, 11/27 – 2 pink cupcake yunomi (pictured bottom right)
Fri, 11/28 – 2 skull cups
Sat, 11/29 – 2 teapot cups
Again, more elegant cups in my usual variety of colors and patterns will also be added daily over the next couple weeks leading up to holiday buying and gifting. Connect with me on Facebook and Instagram for reminders, and ‘favorite’ my shop to see new pots at the top of your Etsy home feed. Thank you as always for supporting and gifting handmade & elegant from my studio!
These are my pieces in FORTIFY, an in-store and online exhibition at Schaller Gallery to support the Craft Emergency Relief Fund. Anthony Schaller is generously donating 20% of the gallery’s commission to support CERF+. The exhibition opened today for online purchasing and pots are going fast! FORTIFY: An Exhibition to support CERF+, Nov 20 – Dec 19, 2014.
CERF+ is a national artists’ service organization whose mission is to safeguard and sustain the careers of craft artists and provide emergency resources that benefit all artists. I know several potters who have been helped by CERF+. Thank you, Anthony!
Just a lil’ note that there are many lovelies (including all those pictured here) currently available in my online shop, and I will be adding only cups for December ~ a bountiful variety of stamped ones, yunomi, and tumblers just in time for the holidays! Stay tuned on my Facebook and Instagram for some posts about available new work, and better yet, ‘favorite’ my shop to see new pots at the top of your Etsy home feed. Thank you as always for supporting and gifting handmade & elegant from my studio!
My toast rack, egg cups & caddy, butter dish, and place settings for two
for Breakfast styled by me at our dining room table.
I received the invitation to participate in a show titled Breakfast (online and in Philly at The Clay Studio 11/7 – 1/4) in April from fellow potter Bryan Hopkins. Each potter was to make their interpretation of a toast rack, egg cups, butter dish or jam jar, plus two plates and cups. I immediately set to work on drawings, particularly of toast racks, knowing I wanted to use wire instead of clay for the dividers. (Indeed, I spent a three-hour flight to a workshop drawing toast racks!)
My sketchbook drawings of toast rack ideas.
Toast rack in Aqua, Drape-molded (from my design) and altered porcelain with carved,
slip-sponge, underglaze, slip-trail, and Mishima deco, cone 7 oxidation
with multiple glazes, and steel wire.
For the month of May, I was a Visiting Artist at the Archie Bray Foundation in Helena, MT, and spent a chunk of my studio time developing the serving prototypes for this show, as well as making my egg cups and caddies, which I glaze-fired and completed at my home studio.
Egg cups & Caddy in Frost, Wheel-thrown, altered and built porcelain with carved, slip-sponge, underglaze, and slip-trail deco, cone 7 oxidation with multiple glazes, and steel wire.
Butter dish in Periwinkle, Hand-built porcelain with slip-sponge, underglaze, slip-trail,
and Mishima deco, cone 7 oxidation with multiple glazes.
I don’t often make sets, but do enjoy playing with what defines one. With the pieces for this show, I didn’t want all one glaze color (I used a color family of five), nor identical elements that “match.” Every piece has sky blue underglaze (the stripes and dots of ceramic color I brush on before the first firing because I want it to be layered under my slip-trailing); my swirled slip-sponge pattern (the subtle background texture); and my slip-trail dots and ‘leaf swirl’ pattern. While I played with variations of stripes and polka dots on each piece, as well as how I laid out my leaf swirl, they all share the same style and attention to detail that makes them feel related as a whole, yet able to be mixed and matched or stand strongly alone. (The Yellow Pear cup would just as easily pair with the Spring green plate, for example.)
Deluxe clover cup & Plate (medium) in Yellow Pear, Wheel-thrown and altered porcelain
with slip-sponge, underglaze, and slip-trail deco, cone 7 oxidation.
Deluxe clover cup & Plate (medium) in Spring Green, Wheel-thrown and altered porcelain
with slip-sponge, underglaze, and slip-trail deco, cone 7 oxidation.
Breakfast opens online and in Philly at The Clay Studio on Friday, November 7 and continues through January 4, 2015, and includes sets by Blair Clemo, Lindsay Oesteritter, Lisa Orr, Meredith Host, Roberto Lugo, Emily Schroeder Willis, and Bryan Hopkins as well as myself.
This was a quite a challenge for me with months of planning and testing yielding one-of-a-kind results. I’m delighted with the final pieces and hope you’ll check the show, in-person if you can, and online for all. Thank you for ‘egging’ me on, Bryan!
The new addition to each my ‘pollinator’ and ‘colorized’ series is here: the honey bee! I made just three (Yellow Pear, Frost, and Spring Green) this round, and will post them in my online Etsy shop at 9 AM EST on Saturday (9/27).
The bee is the latest addition to my collection of stamps I design and make (accompanied by a flower and honeycomb stamp too on the Frost cup). I hand-brushed one on each side, which brings a focal point as well as dreamy dissolve to the cup pattern as a whole. I’ll write more about each series soon, but suffice to say –in my Victorian modern style– I am celebrating the incredible honey bee as an important part of our ecosystem with an additional nod to the Egyptian belief in them as a symbol for royalty.
Some images of my pots recently posted on Instagram and Facebook to share and celebrate new work available in my online shop ~ some, exclusively! I delight in trying to convey the influence, habitat, and/or detail (the lovely little enticing bits) of my pots in one square frame. I consistently add new, one-of-a-kind pots to my shop almost weekly, so fresh work is always available for you to have or give. Connect with me on the social medias, but check my Etsy shop (‘favorite’ it too) regularly for what’s new, and thanks as always for your support.